The exhibition considers several artistic and historic themes, including: the destruction of statues as an act of iconoclasm, the evolving notions of the portrait, the use of science in the search for provenance, and more. Created from materials as diverse as marble, limestone, polychromed wood, and silver gilt, the carved heads date from the third century A.D. through the early 1500s and represent French, German, Italian, Spanish, Byzantine, English, and other medieval sculptural traditions.
