Lord Gunther Boese, Canon Herald for the Kingdom of Lochac, reports that Their Majesties Niáll and Liadan have chosen to offer Peerages to four of Their subjects over the past two months.
The skeletons of two Ice Age infants discovered at the Upward Sun River archaeological site in central Alaska are the earliest human remains ever found in northern North America. The presence of grave goods is also unprecedented for an infant burial of this era. The remains date to about 11,500 years ago. By analyzing tooth eruption sequences (the stages of the teeth growing out of the jaw), archaeologists were able to determine that one of them is a very young infant, between six and 12 weeks old, while the other was a neonate above 30 gestational weeks, so it was either stillborn or born too premature to live.
These are the youngest individuals from the late Pleistocene to receive a formal burial found anywhere in North America. The only discovery that comes close is the child buried at the Late Clovis Anzick site in Montana around 13,000 years ago, and he was two years old at time of death. It’s rare to find burials of very young infants from highly mobile foraging societies because they didn’t stay in one place for long so there’s no central location like a cemetery and the odds are slim of encountering individual burials even of larger humans. The Upper Sun River site was a residential campsite, not a dedicated burial ground, and yet, three individuals were found buried there within the same feature: the two inhumed infants with grave goods, and a cremated three-year-old with no grave goods. That’s another thing that is unique about this discovery.
Archaeologists found evidence of six different occupations of the site separated by hundreds or thousands of years. All but one of them were short-term camps occupied for no more than a few days while people hunted small game (squirrels, hares, ptarmigan) and fished the plentiful summer salmon in the nearby Tanana River. They’d take their harvest back to the base camp and cook it on hearths. The third occupation is the only one that had a longer-term presence. In addition to 10 cooking hearths, the third occupation features the remains of a dwelling and the burials.
Because of the undisturbed faunal and lithic material excavated from the context of the burials, it seems the two infants were buried at the same time. The cremated remains were buried later (they were found first, in 2010; the infant remains were found last year about 16 inches beneath the cremation) but all three were either buried during the same summer or in subsequent summers. Radiocarbon dating confirms that the lower and upper finds are contemporaneous. Given the consistency of the faunal remains in the ground fill and in the hearth that tops the burial pit, the third occupation base camp was populated by the same people. They could have been the one band or maybe even one family. Archaeologists are optimistic that they’ll be able to retrieve testable samples of nuclear, mitochrondrial and Y-chromosome DNA from the remains which should tell us whether they had a familial relationship.
Since the double infant burial and the toddler cremation were done by the same people around the same time, there is no obvious reason for the differential treatment of the burials. It wasn’t a seasonal accommodation — frozen ground in the winter forcing cremations — because all three burials happened in the summer. There may have been a situational distinction — who was present for the burials, say — or perhaps a religious or cultural one.
The grave goods and funerary customs in the double infant burial are extensive. Archaeologists unearthed four antler rods, foreshafts to which projectile points would have been hafted, decorated along the whole length with geometric abstract incisions. This too is unprecedented. There are some scratchings or possible ownership marks on other paleo-Indian foreshafts, but these are the first ones found with the whole length decorated. Two stone projectiles, dart or spear points, were found placed at the end of two of the rods, exactly where they would have been attached with animal sinew that has now deteriorated. That makes these the earliest hafted shafts discovered in North America, and the first concrete evidence that the foreshafts were topped with stone points.
The entire pit and its contents were covered with ochre, a common element in pre-historic burials most likely due to the association of red with blood and therefore life. The bottom of the pit was lined with ochre, all of the grave goods were coated in it and all of the bones. The articulation of the infant skeletons — knees drawn to the chest, arms folded — suggest they were wrapped in that position before burial. Over time the wrappings disintegrated and the ochre in the pit then covered the bones.
[University of Alaska Fairbanks professor Ben] Potter and his colleagues note that the human remains and associated burial offerings, as well as inferences about the time of year the children died and were buried, could lead to new thinking about how early societies were structured, the stresses they faced as they tried to survive, how they treated the youngest members of their society, and how they viewed death and the importance of rituals associated with it.
“Taken collectively, these burials and cremation reflect complex behaviors related to death among the early inhabitants of North America,” Potter said.
Here is some b-roll of the excavation with great close-ups of the ochre-coated antler rods and a projectile point in situ:
As I have mentioned, I am in the process of replacing several of my Regional Rapier Deputies, and to that end I am officially requesting resumes for anyone interested in the Southern Regional Rapier Deputy position. I would like to take this opportunity to thank Don Griffith Davion for his outstanding service to the Southern Region and the East Kingdom as Southern Regional Rapier Deputy. I will be accepting resumes until December 1st, after which time I will review those resumes I have received and make a decision as to Don Griffith’s successor.
Filed under: Fencing
Caelin on Andrede reports that he has created a large album of photos from Fall 2014 Coronation which took place recently in the Kingdom of Ansteorra.
The Court of our most excellent prince and lord, Edward, by right of arms most illustrious King of the East, third of that name, and Thyra, his Queen, held in the Barony of Concordia of the snows upon 8 November in the forty-ninth year of the Society; on which day were called all and sundry the lords of the realm and the great persons of the kingdom to hear the following publicly proclaimed:
Item. Their Majesties summoned before the Tyger Throne Baron Pierre de Tours, and extended their thanks to the said Baron Pierre for his care of their lands of Concordia of the Snows during his tenue as Baron thereof; and as confirmation of their favor, they invested and endowed him with a Court Barony with a Grant of Arms, the which deed was confirmed by a document authored by Jean Paul Ducasse and calligraphed by Isabel Chamberlaine.
Whereupon, the said Pierre surrendered his authority and tenancy of the said Concordia of the Snows and departed the Court;
Item. Their Majesties called into the Court Jean Paul Ducasse and Lylie of Penhyll and invested and extolled the same as Baron and Baroness of Concordia of the Snows, the which deed was memorialized in a document authored by Alys Mackyntoich, calligraphed by Carolyne de Lapointe and illuminated by Ro Honig von Somerfeldt;
Whereupon, the said Baron Jean Paul and Baroness Lylie swore fealty to Their Majesties for the lands they hold of them;
Item. Their Majesties summoned into their presence Master Angus Pembridge and, in praise of his storytelling ability, conferred unto the said Angus the Order of the Troubadour, the which deed was memorialized in a document created by Wulfgar Silverhair and Theodora Bryennissa.
Item. Their Majesties called Constantine of Aethelred before the Court and caused him to be inducted into the Order of the Tyger’s Cub, the which deed was confirmed in a document authored by Lucius Aurelius Varus, calligraphed by Saerlaith ingen Chennetig and illuminated by Caleb Reynolds.
Item. Their Majesties caused gifts of toys to be distributed to the children of the East.
Item. Their Majesties summoned Aífe ingen Chonchobair in Derthaige before the Court and thanked the said Aífe for organizing the gifts of poetry made to the Consorts at Crown Tourney.
Item. Their Majesties called into their presence Ceara of Anglespur and awarded her Arms, the which deed was confirmed in a document created by Jonathan Blaecstan.
Item. Their Majesties invited into their presence newcomers to the Society and gave them tokens of welcome in memory of the day.
Item. Their Majesties called before the Court Bianca of Ulster, whereupon they awarded Arms unto the said Bianca, the while deed was memorialized in a document authored by Bebhinn inghean Ui Siodhachain, calligraphed by Kayleigh Mac Whyte and illuminated by Margaret Twygge.
Item. Their Majesties summoned into their presence Pakshalika Kananbala, and, praising her many labors for the good weal of the Barony, inducted her into the Order of the Silver Crescent, the which deed was confirmed in a document, written in the language of Hindi, calligraphed by Ignacia la Ciega and illuminated by Dierdre O’Rourke,
Item. Their Majesties gave public thanks to the musicians who had performed for the Court and for the dancing.
I, Alys Mackyntoich, Eastern Crown Herald, wrote this to memorialize and make certain all such things that were done and caused to be done as above stated.
Filed under: Court
Excavation of the third chamber of the Kasta Tumulus in Amphipolis has revealed a limestone cyst grave containing human remains 1.6 meters (5’2″) beneath the surviving floor stones. The grave is 3.23 meters (10’7″) long, 1.56 meters (5’1″) wide and one meter (3’3″) high, but uprights discovered when the cyst was excavated indicate the walls were original at least 1.8 meters (5’10″) high. Two of the limestone slabs that once covered the grave are missing, and bones were found both inside and outside the grave, evidence the tomb was interfered with by looters in antiquity.
When the soil filling the grave was removed, archaeologists found a little ledge going around the bottom inside perimeter. A wooden coffin was originally placed on that ledge. It has long since rotted away, but iron and copper nails from the coffin were found scattered, as were ivory and glass decorations that once adorned it.
The bones have been removed and will be studied in the lab. The hope is that they will be able to tell us something about the identity of the tomb’s owner. It’s going to be a tall order. Even determining sex from disarticulated bone pieces is a challenge that could well be insurmountable.
The always excellent Dorothy King of PhDiva posits that if the remains prove to be male, a likely candidate for the occupant of this tomb is Hephaestion, Alexander’s the Great’s closest friend from childhood who was worshipped as a divine hero after his premature death from a fever in 324 B.C. Alexander was devastated by the loss of Hephaestion, likening their relationship to that of Achilles and Patroclos of Trojan War fame and explicitly modeling his mourning after Achilles’.
Plutarch describes Alexander’s reaction to Hephaestion’s death in Parallel Lives:
Alexander’s grief at this loss knew no bounds. He immediately ordered that the manes and tails of all horses and mules should be shorn in token of mourning, and took away the battlements of the cities round about; he also crucified the wretched physician, and put a stop to the sound of flutes and every kind of music in the camp for a long time, until an oracular response from Ammon came bidding him honour Hephaestion as a hero and sacrifice to him. Moreover, making war a solace for his grief, he went forth to hunt and track down men, as it were, and overwhelmed the nation of the Cossaeans, slaughtering them all from the youth upwards. This was called an offering to the shade of Hephaestion. Upon a tomb and obsequies for his friend, and upon their embellishments, he purposed to spend ten thousand talents, and wished that the ingenuity and novelty of the construction should surpass the expense. He therefore longed for Stasicratesa above all other artists, because in his innovations there was always promise of great magnificence, boldness, and ostentation. This man, indeed, had said to him at a former interview that of all mountains the Thracian Athos could most readily be given the form and shape of a man; if, therefore, Alexander should so order, he would make out of Mount Athos a most enduring and most conspicuous statue of the king, which in its left hand should hold a city of ten thousand inhabitants, and with its right should pour forth a river running with generous current into the sea. This project, it is true, Alexander had declined; but now he was busy devising and contriving with his artists projects far more strange and expensive than this.
So according to Plutarch Alexander had decided against turning all of Mount Athos into a sort of pre-dynamite one-man Mount Rushmore monument to himself, but he planned to make an even more elaborate tomb for his beloved companion, one worthy of a divine hero. Perhaps Alexander’s death in 323 B.C. kept the crazier of the grandiose plans from taking hold or perhaps the ancient sources were exaggerating, as they so often did, but it’s in keeping with Hephaestion’s importance to Alexander and the posthumous honors he received that the largest tomb ever found in Greece would have been built for him.
According to the Greek Culture Ministry, the Kasta Tumulus has to have a public religious purpose like the tomb of a divine hero. The tomb used the greatest amount of marble ever assembled in Macedonia, and the variety and precision of decorative and architectural techniques — the sphinxes, painted architraves, pebble mosaics in the entryway, the Persephone tile mosaic, the caryatids, the lion that was once on top of the tomb — make it a uniquely complex project. Its size and scope was so massive no individual could have mustered the resources to construct it. The archaeological team plans to examine the 430 or so marble elements from the tomb that the Romans stripped from the tomb in the 2nd century A.D. and used to shore up the banks of the river Strymon. Perhaps pieces from inside the tomb, fragments of the grave, for example, might be recovered that will lend additional insight.
The SCA released the following announcement this evening. Deadline for comments about this proposal is January 15, 2015.
At the July 2013 Board Meeting, the Additional Peerage Exploratory Committee (“APEC”) proposed that the Board of Directors create a new Patent-bearing Peerage Order parallel to the Orders of the Chivalry, the Laurel and the Pelican. This Rapier Peerage would be for the related martial arts of rapier and all forms of cut & thrust in the SCA. In August of 2013, the APEC’s proposal for name, heraldry and badge was sent out to the membership for commentary, and a second committee was formed of representatives appointed by the Kingdoms of the Known World to review the proposal and represent their interests. After reviewing all commentary received from the membership and the committees, the Board believes there is enough interest to request further commentary on the changes that would be required to Corpora if the Board decides to create such an Order. This will be the final opportunity for the membership to make its opinions and wishes known on this subject as the Board will vote at the January 2015 Board meeting on whether or not to create this Order.
In the event a rapier/cut & thrust peerage is created, the following would be the proposed changes to Corpora (additions in red; deletions in blue and struck out.)
Glossary, page 9.
[• Peerage: Collectively, the members of the Order of Chivalry, the Order of the Laurel, and the Order of the Pelican, are referred to as the Peerage. A member of any of these Orders is a Peer.]
• Peerage: Collectively, the members of the Order of Chivalry, the Order of the Laurel, and the Order of the Pelican, and the Order of Defense are referred to as the Peerage. A member of any of these Orders is a Peer.
VIII. PERSONAL AWARDS AND TITLES
A. Patents of Arms
2. Order of Precedence Within the Peerage
4. Patent Orders:
d. The Order of Defense:
(2) The duties of the members of the order are as follows:
(a) To set an example of courtesy and chivalrous conduct on and off the field of honor.
(The section on royal peerage becomes section e, etc.)
IX. Society Combat
[C. Rapier Fighting in the Society
C. Royal Lists
[This last might need some explanation. The current Section IX.C is a holdover from a Governing and Policy decision from October 1979, when the Board decided that rapier combat would be allowed in the SCA as an ancillary activity. Rapier combat is no longer considered an ancillary activity and has not been for many years. Also, the duties of the Society Earl Marshal are properly defined in section VI.D. So this section is reduced to a single clear, unambiguous rule.]
Comments are strongly encouraged and can be sent to:
You may also email firstname.lastname@example.org.
Filed under: Corporate Tagged: peerages, rapier
Kameshima Zentarou Umakai, Silver Buccle Principal Herald, reports that, after Their Coronation, Their Majesties Titus Scipio Germanicus and Anna Leigh offered elevation to the Peerage to two of Their subjects.
“I’ve had a lot of people contacting me to say they received some of their polls, but not all of them. I have no idea why that is, but if people haven’t received them they should contact me and I will send them the link. All polls have gone out. The only order not to be polled this round is the Sagittarius, and the members of that order should have received a note to that effect.
If someone isn’t sure they’re signed up for a poll, they should subscribe. The link is below:
It can also be found on the East Kingdom website – under “Getting Involved – Order Polling Lists”. You can subscribe to both polling and discussion lists here.
**NOTE** The polling lists and the discussion lists are separate and do not cross over. If you wish to receive both lists you must sign up for both lists. The difference between the two: You receive the poll from the polling list. You can discuss candidates on the discussion list.
However, BEFORE resubscribing, check your spam filter, just in case.
Filed under: Official Notices, Tidings
The murals begin at the entry to the tomb. The perimeter of the arched doorway and wall is painted in a thick stripe of red that doesn’t appear to have faded at all. Against a white background, two human figures are painted on either side of the entryway. The left guardian is a man wearing a black hat holding a staff. The right guardian is a woman holding aloft a feathered fan. Between them centered above the arch is the supernatural bird being Garuda, hovering amongst the clouds, watching over the entryway.
Inside the tomb, the largest mural is on the north wall. It’s a domestic scene depicting the tomb owner’s household. In the background are floor-to-ceiling windows with some excellent roll-up shades, a valance on top and curtains pulled back on the sides. There’s an empty bed in the center, flanked by attendants carrying different vessels and accessories. The stars of the show, however, are a black and white cat in front of the attendants on the left and a black and white dog in front of the attendants on the right. They both have ribbons tied around their necks and the cat is playing with a ball on the end of strip of silk.
On the west wall is a dense, dynamic scene of travel through the countryside. An elaborate carriage on the top right of the wall is pulled by Bactrian camel. In the foreground a saddled horse trots, led by a groom. On the top left farmers carry water, plough and hoe their crops. A small figure of horse and rider in the bottom left looks to be transporting goods in packed saddlebags.
The east wall is a riot of food, drink and animals. Attendants on the left carry trays of food and beverages while on the ground in front of them are pitchers and bamboo steamers doubtless groaning with more of the same. On the top right is a saddle hanging on a rack with a lotus flower fountain to its left. A dear sits in front of the saddle. Other animals in the tableau are a crane, a turtle, and a snake crawling behind an axe on a platform. Between the deer and the crane are bamboo plants. A poem written on a banner to the right of the saddle ties the scene together: “Time tells that bamboo can endure cold weather. Live as long as the spirits of the crane and turtle.”
The tomb was looted at some point in the last 1,000 years, but there was one artifact still present: a statue three feet high of a man sitting cross-legged wearing a black robe. Archaeologists believe it’s a representation of the tomb’s occupant. It may even have been a symbolic substitute for his body, a common practice for Buddhist burials at that time.
The Drachenwald Known World Dance Symposium XI shall feature a wide range of afternoon and evening activities, from elegant balls to dissolute gambling! Refreshments will be served at all evening functions, and open dancing commences after the balls, continuing until the last reveler seeks their bed.
At Crown Tourney, held October 11th, TRM Titus and Anna Leigh, King and Queen of Æthelmearc, presented Baroness Othindisa bykona with a writ for the Order of the Laurel.
University of Münster archaeologists excavating the ruins of a medieval monastery near the southeastern Turkish city of Gaziantep have discovered a basalt stele carved with a figure of a previously unknown deity. The monastery of Mar Solomon (Saint Solomon) was built in the early Middle Ages over the remains of the Roman-era temple to Jupiter Dolichenus, a deity who was a syncretized combination of the Greco-Roman thunderer, king of the Olympian gods, and the Hittite sky and storm god Tesub-Hadad. Before the Roman temple there was a sanctuary to Tesub-Hadad on the hill known today as Dülük-Baba Tepesi. The stele was recycled for use as building material in the wall of the monastery.
Archaeologist Blömer described the depiction: “The basalt stele shows a deity growing from a chalice of leaves. Its long stem rises from a cone that is ornamented with astral symbols. From the sides of the cone grow a long horn and a tree, which the deity clasps with his right hand. The pictorial elements suggest that a fertility god is depicted.” There are striking iconographic details such as the composition of the beard or the posture of the arms, which point to Iron Age depictions from the early 1st millennium B.C.
Hundreds of seals from the pre-Roman sanctuary have been found on the site, many of them carved with religious imagery and symbolism that are giving archaeologists new insight into worship practices at the sanctuary in the 1st millennium B.C. The discovery of the fertility god relief is an exciting addition to the archaeological record, and particularly relevant to the team’s investigation of how local cults survived over the millennia and in some cases expanded from their native contexts to widespread religions with adherents all over the Roman empire. Since ancient written sources — usually Roman elites — are unreliable documentation of Near Asian religions, archaeological sources are invaluable.
Excavation director Prof. Dr. Engelbert Winter:
“The image is remarkably well preserved. It provides valuable insights into the beliefs of the Romans and into the continued existence of ancient Near Eastern traditions. However, extensive research is necessary before we will be able to accurately identify the deity.”
Although Doliche was a small town, the empire-spanning prominence of the sanctuary of Jupiter Dolichenus transitioned into the Christian era. It was an episcopal see at least as early as the 4th century, and remains a titular see of the Roman Catholic Church to this day even though there’s nothing there but a glorious wealth of archaeological remains. The monastery of Mar Solomon was in use through the era of the crusades, but it was only known to archaeologists through written sources until the remains were first discovered in 2010.
Now the entire site is being transformed into an archaeological park even as excavations continue. The ruins are being carefully preserved and a trail was put in last year so visitors can view the Jupiter Dolichenus sanctuary and the remains of the monastery.
Investiture of the new Baron and Baroness of Concordia, Jean Paul and Lylie, took place on Saturday among the festivities of Bjorn’s Ceilidh, our celebration of the Celtic New Year. Previous Barons Pierre, Angus, Balthazar and Emerson passed down the coronets to Their Majesties, while reciting the lineage of our Barony, so all would know our history.
After First Court everyone joined in the festivities. The King and Queen could not pass up a chance to dance with their subjects, and the Baron and Baroness showed off their newly learned skills.
Many newcomers took part in our traditional games of sheep toss, haggis hurl and arm wrestling, and were skilled enough to take home prizes.
Among the pleasures of the second Court, Constantine became a member of the Order of the Tiger’s Cub, and Lady Pakshalika Kananbala was welcomed into the Order of the Silver Crescent.
The afternoon ended with a game of live chess. There was much worry when Queen Thyra was taken out of the game early, but her side played skillfully, and she was brought back in when a pawn reached the end of the board. The game was brought to a successful conclusion in time for everyone to enjoy a sumptuous feast. The evening ended with the traditional remembrances of those who have passed before us, and the lighting of the new flame for the new year.
Filed under: Court, Events, Local Groups Tagged: Concordia of the Snows, events, Investiture
A 6th century papyrus, identified as an early Christian charm, has been discovered among the documents in the University of Manchester's John Rylands Library. The charm is considered "the earliest surviving document to use the Christian Eucharist liturgy - which outlines the Last Supper - as a protective charm."
Don Miklos von Baeker, Baron of Oldenfeld, reports that the Board of Directors of the Society for Creative Anachronism plans to make a decision on the proposed Rapier Peerage Corpora change in 2015.
Before Howard Carter became the world-famous archaeologist who discovered the tomb of King Tutankhamun in the Valley of the Kings, he was an artist. In fact, it was pretty much all he knew how to do. Howard, the youngest of 11 children of Samuel and Martha Carter, was sick a lot in his youth. The many and varied miasmas of London were considered injurious to his health, so he was sent to live with his aunts in Swaffham, Norfolk, where his father and grandfather had been gamekeepers on the Hamond family estate.
Because of his sickliness he was never enrolled in school. His father, an artist who carved out a successful niche for himself painting portraits of the gentry and their pets, tutored Howard on regular trips to Swaffham, teaching him how to draw and paint. One of Samuel Carter’s patrons was William Amherst Tyssen-Amherst of Didlington Hall, an estate eight miles from Swaffham. As a boy, Howard visited Didlington Hall when his father painted Lord Amherst’s portrait, and this is where he first became exposed to Egyptology.
Amherst was an avid collector of Egyptian antiquities. He, his wife Margaret Mitford (whose father had a passion for all things Egyptian as well) and their seven daughters traveled frequently to Egypt, constantly acquiring new artifacts. A whole wing of Didlington Hall was dedicated to housing his vast collection. Seven statues of the lion-headed warrior goddess Sekhmet guarded the door of the museum, one for each of the Amherst daughters. Those statues are now in the Metropolitan Museum of Art.
The Amherst family didn’t just give Howard Carter the chance to explore Egyptian art through their extensive collection. It was their recommendation and contacts that secured him his first job in Egypt. He was just 17 years old when he was hired as a tracer — someone who copies inscriptions and art work found in excavations onto paper for later study — for the Egyptian Exploration Fund (EEF) in 1891. This was an essential job in the age before color photography. Watercolors were the only accurate recreations of tomb decorations available.
Carter’s first assignment was the Beni Hasan excavation where the princes of Middle Egypt were buried. He immediately distinguished himself with his artistic ability and dedication, often working all day and then spending the night in the tomb. Carter began to learn archaeology on his next assignment at El-Amarna under pioneering Egyptologist Flinders Petrie in 1892. He was still an artist, recording artifacts as they were discovered, but Petrie allowed him to dig too, and Carter made some signficant finds.
In 1894, Carter was appointed Principle Artist of the EEF’s excavation of the Temple of Queen Hatshepsut at Deir el-Bahari. For five years Carter made drawings and watercolors of the wall reliefs in the temple. One of his watercolors from this period, The Temple of Hatshepsut (1899), is going up for auction at Bonhams’ Travel, Exploration and Natural History Sale in London on December 3rd.
Carter also joined in the excavation of the temple and learned restoration techniques as well. He did such a fine job that in 1899 the Egyptian Antiquities Service offered him the job of First Chief Inspector General of Monuments for Upper Egypt. He was 25 years old, had no formal education, and was now the supervisor of all archaeological excavations in the Upper Nile Valley. Carter did great work, installing the first electric lights in six Valley of the Kings tombs and at the temples in Abu Simbel.
His extraordinary run of success came to a halt in 1905 when a group of drunk and belligerent French tourists became violent towards the Egyptian guards at Saqqara. Carter told the guards they could defend themselves. The tourists complained to people in high places and the diplomatic hotshots insisted Carter apologize. He refused. In retaliation, Carter was shipped off to an obscure site with not much in the way of archaeology. Rather than twiddle his thumbs in exile, Carter resigned.
For the next two years, Howard Carter had something of a hard scrabble existence. He sold his watercolors or guided tours to make a living. Then he hit the jackpot. French Egyptologist Gaston Maspero, Director of the Egyptian Antiquities Service who had given Carter the Chief Inspector General job, introduced him to George Herbert, 5th Earl of Carnarvon. Carnarvon had deep pockets and was keen to fund archaeological excavations. He got the necessary licenses and made Carter the Supervisor of Excavations in Thebes.
During this time, Carter painted Under the Protection of the Gods (1908), a composite fantasy that depicts a vulture — representing the goddess Nekhebet, protector of Upper Egypt — above a solar disc wrapped in a cobra — representing the goddess Wadjet, protector of Lower Egypt. It’s likely that the iconography of the watercolor was inspired by some of Carter’s finds in Thebes, including the 18th Dynasty Tomb of Tetaki and a 15th Dynasty tomb with nine coffins.
The Carter-Carnarvon partnership was very successful. By the time World War I began in 1914, Carnarvon had amassed a hugely important collection of Egyptian antiquities. That same year he secured a 15-year license to excavate the Valley of the Kings and Carter got to work. He painted The Valley of the Kings (1914) the first year of excavations. Excavations were disrupted by war, but Carter still managed to dig in 1915 and 1917.
In 1918 excavations restarted in earnest. For the next four years, Carter scoured the Valley of the Kings for the tomb of a previously unknown pharaoh whose name he had discovered. It became something of an obsession with him, but in 1922 when the tomb continued to be elusive, Carnarvon got sick of funding what seemed like a fool’s errand and told Carter that he had one digging season left. Three days after the last excavation began in November of 1922, Carter’s diggers found the top of a staircase. Three weeks later, Carter peered in through a small hole in the doorway and saw the “wonderful things,” that would take the world by storm and make him immortal.
Carter never forgot the people who helped him overcome his humble beginnings. His connection with the Amherst family continued throughout his life. William and Margaret Amherst’s eldest daughter Mary, known as May, wife of Lord William Cecil, took her family’s fascination with Egypt to even greater heights. Between 1901 and 1904, she personally funded and ran excavations at Qubbet el-Hawa in Aswan. Howard Carter was Chief Inspector for Antiquities then, and he helped advise her.
In 1906, the family was left financially devastated when their solicitor and land agent, Charles Cheston, was found to have embezzled hundreds of thousand of pounds to support his gambling habit. Cheston committed suicide. Lord Amherst was forced to sell the collections he had spent decades building into some of the greatest private holdings in the country. His library went first, auctioned by Sotheby’s in 1908 and 1909. William Amherst died two months before the second sale.
May, heir to her father’s estate and title, had no choice but to continue the sell-off. In 1910, the estate itself, home and park, was sold to Colonel Herbert Francis Smith. May refused to sell her father’s Egyptian collection, however. She held on to that resolutely for a decade until her death from breast cancer in 1919. Only after May was gone was the legendary Amherst collection of Egyptian papyri, statues and other artifacts put up for sale at Sotheby’s in 1921. It was Howard Carter who catalogued the collection that had first inspired his great vocation. At the time of the sale, even though some individual objects had been sold piecemeal before then, the Amherst Egyptian collection was the third largest private collection in England.
In 1950, Didlington Hall, broken and neglected after requisition during World War II, was stripped of its last valuables when the interior fittings were sold at auction. The house was demolished and thus what had once been one of Norfolk’s greatest treasures was lost forever.
By consensus at the Fourth Quarter 2014 Board of Directors Meeting, the following meeting schedule was confirmed for 2015 and 2016:
January 17, 2015
April 18, 2015
July 11, 2015
October 24, 2015
2016 – Due to special projects, all 2016 meetings will be held in Milpitas, Ca.
Comments are strongly encouraged and can be sent to:
You may also email email@example.com.
This announcement is an official informational release by the Society for Creative Anachronism , Inc. Permission is granted to reproduce this announcement in its entirety in newsletters, websites and electronic mailing lists.
Filed under: Corporate, Official Notices Tagged: board of directors, BoD, bod meetings, corporate, sca announcements
Kameshima Zentarou Umakai, Silver Buccle Principal Herald, reports that Their Majesties Magnus Tindal and Etain of the Kingdom of Aethelmearc offered elevation to the Order of the Pelican to THL Filipo da Sancto Martino and Baron Sogtungui Bataar.
Unto the populace of the Kingdom of the East do I, Don Frasier MacLeod send greetings,
As many of you know, I stepped up into the Kingdom Rapier Marshal position at Crown Tournament. One of the priorities of my early tenure in this position is to find replacements for some of my Regional Marshals. To that end I would like to officially put out the call for resumes from anyone interested in taking on the position of Central Regional Deputy Rapier Marshal. As the previous Deputy, Don Donovan, is now my Kingdom Deputy, I need to fill the void left by his departure for this new position. Anyone interested in taking on this position please send me your SCA resume to the Kingdom Rapier Marshal e-mail listed in Pikestaff. I will be accepting resumes until Thursday, November 27th, at which time I will close the window and review the resumes I have received up to that point. I look forward to hearing from any of you who wish to take this position on.
Don Frasier MacLeod, KRM, East
Filed under: Fencing, Official Notices Tagged: fencing, officers, rapier, volunteers