Manus MacDhai, Direttore Tecnico for i Firenzi, reports that the Commedia del' Arte company recently performed Arlecchino in Love at the Return to Crecy in the Barony of Sacred Stone (Kingdom of Atlantia.) The performance was recorded and is available to view on YouTube.
The National Centre for Stage Costumes in Moulins, France is playing host to an elaborate display of Shakespearean theatrical costumes entitled Shakespeare, l'étoffe du monde. The silk, satin and gemstone-studded costumes reflect designs from over a century of productions.
A group of boys seven to ten years old from Alston Primary School in Cumbria discovered a rare gold ornament from the Copper Age on an archaeological dig in Kirkhaugh, Northumberland. The ornament is a thin oval sheet of gold 1.3 inches long rolled into a semi-cylinder with two rows of repoussé dots along the outer perimeter and two parallel lines in the center crossing the width of the piece. On the rolled edge between the two lines is a long, thin tab also bordered in repoussé dots.
It’s not certain how they were meant to be worn. Called tress rings, they may have been hair tresses, worn wrapped around a braid or lock of hair. They’ve also been labeled “basket earrings” (because they look like the kind of curved edge basket ladies in period movies use to collect flowers from a garden) and may have been worn with the tab inserted into a piercing and then wrapped around the outside of the semi-cylinder. They would have hugged the outside of the ear like modern ear cuffs do.
Aidan Bell (10), Luca Alderson (8), his brother Sebastian Alderson (10) and Joseph Bell (7) learned about the area’s Copper Age history in school and through a brilliant program called Dreaming the Land that draws on local archaeology and folklore and involves the children through art work and performance. That inspired them to participate in a community dig organized by the North Pennines Area of Outstanding Natural Beauty’s Altogether Archaeology project (which also organized Dreaming the Land), and next thing you know, they struck gold.
Seven-year-old Joseph Bell, one of the four boys to make the discovery, said: “We were digging carefully in the ground and I saw something shiny, it was gold. Me and Luca started dancing with joy. It was very exciting.” His friend, eight-year-old Luca Alderson, added: “When I first saw it I felt happy but I thought it was plastic. When I found out it was gold, I was very happy.”
As well he should be. Not only is it gold, but at around 4,300 years old, it’s one of the earliest metal objects ever discovered in the UK and one of only 10 similar pieces known. One of those other nine was also unearthed at Kirkhaugh in 1935. It was found in a burial mound along with a decorated ceramic drinking vessel known as a beaker, the type artifact for and the late Neolithic/early Bronze Age Beaker Culture of western Europe, and a “cushion stone,” a flat-faced stone used as an anvil for crafting gold and copper.
The recently discovered piece was also found in a burial mound, this time accompanied by three flint arrowheads and a jet button. In a beautiful fluke of history, brothers Sebastian and Luca Alderson are the great-great-grandsons of Joseph William Alderson who worked on the 1935 dig. The newfound ornament and the 1935 one have the same decoration and dimensions. Archaeologists believe they are a matched pair and because of the cushion stone found in 1935, probably the work of professional metalworkers exploring the area for its mineable resources, the first in a long line of people who would seek to exploit the area’s richness in precious ores.
[Altogether Archaeology leader Paul] Frodsham said: “When the metal worker arrived in the area I’m sure he’ll have been seen as someone very exotic and special because the chances are that no-one here will have ever seen a metal object until he showed up. We can only assume he was buried here, alone, because he was a long way from home and died unexpectedly.”
Prof. Fitzparick Andrew added: “I don’t think that it is a coincidence that the grave it is on the edge of the Alston ore field. I think the man buried at Kirkhaugh was part of a small group that was prospecting for copper over 4,000 years ago.”
The ornament and other artifacts will be studied by experts, after which the gold piece will hopefully be reunited with its 1935 brother currently on display at the Great North Museum in Newcastle.
New research by archaeologists from UCL, Cambridge and UCLan shows that there was a sudden switch in the fish trade in London from local supplies to imported during the early 13th century. The paper, Fish for the city: meta-analysis of archaeological cod remains and the growth of London's northern trade, appears in the June 2014 issue of Antiquities Journal.
Today saw the armored and rapier combatants of the East, Middle and Allies take to the filed in the epic confrontation that is the field battle. The armored fighters fought a best of five scenario with the East taking three of the five. The rapier fighters engaged in a best of three scenario with the Middle Kingdom and allies taking all three battles.
Their Majesties knighted Ivan Valfrekr Hroereksson and Wilham de Broc on the battlefield. Following the rapier field battle They inducted Robert Earlson and Sorcha Dochair into the Order of the Silver Rapier.
Several Eastern fencers took the field this afternoon dressed as super heroes.
Filed under: Pennsic Tagged: Armored Combat, field battle, Pennsic, rapier
Readers of Shakespeare's Richard III know that the medieval king was a hunchback, but a new study of the king's remains shows that Richard actually suffered from scoliosis.
Khevron reports that Gregor Hawke was the winner of the July 19, 2014 Coronet Tournament in the Principality of Oertha, Kingdom of the West. His Highness was inspired in His endeavor by Isabella Hawke.
Because they were so unwieldy and unusable when the lines were moving, the British only deployed the projector one more time in 1917. They apparently gave a few to the Russians as well, but none have survived that we know of. The archaeologists digging in Montagne de Cappy hoped to find one of the two that were shelled by the Germans on June 28th, 1916. They researched the location thoroughly, turning to diaries, trench maps, aerial photographs and ground penetrating radar to narrow down the possible spot.
When I wrote about the project a week before excavations began, I didn’t realize that Time Team, Channel Four’s capsule archaeological dig program, were filming the dig as well as building an experimental reconstruction of the Livens projector. The episode covers the background history of the invention, the 2010 Montagne de Cappy excavation and the Royal Engineers’ reconstruction of a Livens projector using modern materials. The result is flaming hot drama.
In part one of the episode, we see William Livens’ personal story, the invention is described, the location explained via trench maps and excavations begin. The tunnel that collapsed onto the Livens flamethrower was called Sap 14 and the team soon find some timbers that may be an entrance to it.
The next section focuses on the excavation. The search for the flame projector stalls a little, but they still find lots of artifacts — glass jars, bullets, a toothbrush, a jam tin — that illuminate life in the trenches. Around the 10:30 mark, the first flamethrower-related artifact is unearthed, a tool used to assemble the projector on site. More tools are found and then finally a piece from the Livens device itself: a valve.
When the part is recovered, it’s in such good condition that they can still turn the valve. Archaeologists then excavate a 30-foot stretch of wooden roof and walls from Sap 14. You can see when they dig down that thick, watery clay soil that caused so many problems for the Royal Engineers to tunnel through. This is where the Manchester sewer builders with their clay-kicking technique came in to play. Incidentally, historian Peter Barton, author of a book about the tunneling companies who discovered the photographs of the Manchester sewer workers, is part of the Montagne de Cappy excavation team.
This last video shows the discovery of a key piece of the Livens projector and the experimental model in action. Step back from the screen or risk frying off your eyebrows.
War was declared today between the Kingdoms of the East and the Middle. Pennsic War 43 is now underway. Today’s war points included the Allied Champions battle which was won by the East, the Unbelted Champions battle which was won by the East, the Heroic Champions battle which was won by the Middle, and the Rapier Champions which ended in a tie. The Belted Champions battle which was scheduled for today was not held. Their Royal Majesties were unable to reach an agreement to fight the belted battle. The Middle conceded the war point.
Their Majesties of the East have bestowed awards on several members of the Eastern populace and beyond. Mistress Tyzes Sofia, called Zsof, former resident of the East Kingdom and current King’s Bardic Champion of the Middle Kingdom, was awarded the Order of the Troubadour at the East/Middle Bardic Exposition on Saturday evening. Lord Thomas of Effingham was inducted into the Order of the Golden Rapier on Monday following the Rapier Champions, becoming the 100th member of that order.
Tomorrow the armored and rapier armies will meet in the Field battles.
Filed under: Pennsic Tagged: Pennsic
In 2005, archaeologists unearthed the remains of a person of importance near Auldhame in East Lothian, Scotland. Now experts believe that the burial might be that of the 10th Century Irish Viking King Olaf Guthfrithsson, who led raids in the area and reigned as King of Dublin and Northumbria.
Archaeologists have unearthed 300 intact Merovingian-era graves at Saint-Aubin-des-Champs in the Calvados region of Lower Normandy. The presence of a necropolis on the site was first recognized during a preliminary survey last year in anticipation of construction of a housing development. Excavations began this March. They found the cemetery was complete — the enclosure delineating the full perimeter of the grounds was identified — and undisturbed with 300 burials of men, women and children from the 5th through the 7th centuries.
The burials were found at different depths up to five feet below the surface. The deceased were buried in wooden coffins (all of them now decayed into nothingness leaving only the shape behind) and almost all of the graves contain the remains of clothing and some artifacts. A third of the burials contain a particularly rich array of grave goods. These date to the 5th century, as identified by the artifacts.
One burial stands out for its fabulous accouterments. The skeleton of adult male was found buried with 20 objects, among them ceramic vessels, glassware, a bronze bowl, an intact wooden bucket with bronze strapping, an axe, a spear, a dagger at his waist, shoes on his feet and a silver coin in his mouth. The later the tombs the fewer the artifacts (a side effect of the growth of Christianity) and the 7th century tombs have no grave goods at all, solely bronze or iron belt buckles.
Initial osteological analysis confirmed that the burials include people of all ages and genders, with the exception of very young children. This could be the result of smaller, shallower graves having been disturbed over the centuries, or it could be a cultural practice. Infants and small children in antiquity and the early Middle Ages were sometimes buried within the boundaries of the home property rather than in the town cemetery.
Archaeologists believe the necropolis was the cemetery of a small village. Burials ceased at the end of the 7th century and the cemetery was abandoned, probably in favor of new Christian cemeteries. In the 7th century a monastery was built on the site of the current church of Saint-Pierre Évrecy. It is likely to have had an associated cemetery that may have supplanted the former community burial ground.
The necropolis is a very important find. There are no historical sources that refer to it and looters were blessedly unaware of its existence as well, leaving the grave goods in stellar condition and giving archaeologists the rare opportunity to study three centuries of undisturbed burials in context. This is a very thinly documented period of history, so the discovery is an invaluable resource.
Archaeologists plan a comprehensive study the cemetery in the hope that it will illuminate the life of the community as well as the burial practices of the region during the transitional period between traditional Roman religion and Christian dominance.
Ledonna Mcgowan reports that Lochlann Dunn was the victor of the July 12, 2014 Crown Tournament in the Kingdom of Ansteorra.
Experts and volunteers from Oxford Archaeology have discovered what they believe is a "lost" Roman harbor along with a Roman fort at Maryport, on the west coast of Cumbria in England. The archaeological project hopes to "build up a picture of what ordinary life was like" in this part of Roman Britain.
Archaeologists have found a fragment from the head of a pre-historic lion figurine carved out of mammoth ivory 40,000 years ago. The body with one side of the head still attached was discovered in Vogelherd Cave in southwestern German in 1931. The other half of the head was found in the same cave in recent excavations spearheaded by the University of Tübingen.
Before the discovery of the additional head fragment, archaeologists thought the lion was a rare relief carving, worked only on one side. Many of the earliest figurative art in the world has been found in this cave and other caves in the area, and this lion was the only one-sided one. The new piece fits on the other side of the head and makes it a three-dimensional sculpture, bringing it in line with its bother and sister artifacts.
The new fragment was discovered when today’s archaeologists revisited the work of their predecessors from the 1930s. “We have been carrying out renewed excavations and analysis at Vogelherd Cave for nearly ten years,” says Conard. “The site has yielded a wealth of objects that illuminate the development of early symbolic artifacts dating to the period when modern humans arrived in Europe and displaced the indigenous Neanderthals.” He points out that the Vogelherd Cave has provided evidence of the world’s earliest art and music and is a key element in the push to make the caves of the Swabian Jura a UNESCO World Heritage site.
The Swabian Jura, also known as the Swabian Alps, has four caves just a hop, skip and a jump from each other — the Vogelherd, Hohlenstein-Stadel, Geißenklösterle and Hohle Fels — in which some of the oldest human art has been discovered. The world-famous Lion Man, the oldest figurative art known, was found in the Hohlenstein-Stadel Cave. One of the oldest musical instruments, a flute carved from the bone of a griffon vulture 35,000 years ago, was found in the Hohle Fels Cave (hear a replica of it played here). The oldest human figure known was also found in Hohle Fels, the pulchritudinous Venus of Schelklingen who is between 35,000 and 40,000 years young.
As the discovery of the lion head fragment underscores, these caves continue to produce artifacts of immense significance to our early history. I’m surprised the caves haven’t already been declared a World Heritage site.
The newly reconstructed 3D lion is on display at the University Museum in Hohentübingen Castle where visitors can also see the Venus of Schelklingen, an extremely cute mammoth and a dynamic horse among other ivory and bone figurines found in the caves.
The website People of Color in European Art History showcases "works of art from European history that feature People of Color." The resource includes images of works of art from the pre-1000s to the 17th century.
The main coordinators for Estrella War XXXI are seeking applicants for the positions of Estrella War Pre-Registration Coordinator and Deputy.
David with the Head of Goliath by Michelangelo Merisi da Caravaggio and Stormy Landscape with Jupiter, Mercury, Philemon and Baucis by Peter Paul Rubens, both in the Kunsthistorisches Museum in Vienna, are the latest recipients of a conservation grant from the Getty Foundation. They join the spectacular Ghent Altarpiece and Giorgio Vasari’s The Last Supper, brutalized in Florence’s great flood of 1966, as part of the Panel Paintings Initiative, a program that funds the conservation of damaged oil on wood panel masterpieces in order to train the panel painting conservators of tomorrow.
The €300,000 ($416,000) grant will be well-spent on dealing with the major issues plaguing both paintings. The Caravaggio depiction of the Biblical David holding his sword over his shoulder in one hand and the head of Goliath in the other, one of only two known surviving panel paintings by the Baroque genius, was savaged by past restorations that shaved the wood support to the thickness of a piece of paper. The plan is to remove the panels from the rigid wood cradle that is meant to keep them from warping and then, after they’ve had a chance to breathe a little and assume their natural positions, build a new cradle that is flexible and moves with the natural expansion and contraction of the wood. Conservators will also repair the panoply of fractures on the wood panels that you can see have already had an impact on the integrity of the paint.
The Rubens painting, which in a style typical of the Flemish Baroque adds figures from mythology or religion to a landscape, depicts Jupiter and Mercury leading their favored humans Philemon and Baucis away from a storm set to destroy their entire neighborhood. It’s a story told in Ovid’s Metamorphoses Book 8: 679-724 and while it wasn’t an unheard of subject for a painting, it wasn’t very popular and almost all of the previous treatments set the foursome inside Philemon and Baucis’ modest little cottage.
This work is immense at 20.85 meters (68.4 feet) wide and 14.60 meters (just short of 48 feet) high [EDIT: I misread the dimensions. The painting is actually 2 meters by 1.46 meters. Thank you for the correction, Maurizio!]. Rubens made it all himself rather than enlisting the aid of his workshop painters, and did so without a commission. He used 10 pieces of wood joined together to make the vast panel and each plank has aged differently. The aging has left gaps between the 10 pieces that are clear to the naked eye.
The grant will not only enable the Kunsthistorisches Museum experts to work with some of the most accomplished and experienced panel painting conservators in the world on solving the thorny problems of the Caravaggio and Rubens masterpieces, but it will create a core of expertise that will expand in central and eastern Europe. Five conservators from Krakow, Dresden, Prague, and Vienna will be trained on these works. They will then be able to bring the invaluable expertise they learn on the job back to their homes. Two of the five are already teachers at conservation schools, so they’ll be able to immediately pay it forward to their lucky students.
Panel paintings are extremely complex to conserve because unlike artworks on canvas, they require an in-depth knowledge of carpentry as well as paint conservation in order to repair properly. It takes years to develop the necessary abilities and expertise, and there aren’t a lot of people in the pipeline. With the vast majority of current panel painting conservators approaching retirement age within the decade, in 2009 the Getty Foundation launched the Panel Paintings Initiative to bridge the alarming knowledge and experience gap.
With two more years of grant-giving to go and more years after that of continuing work, the PPI has already proven a brilliant success. More than 20 conservators have received in-depth training and years of practical experience working on some of the world’s greatest masterpieces on wood, and hundreds of other conservators and students have learned from workshops offered as part of the conservation projects, in university classes taught by people connected to the projects and from published studies.
Count Niall inn Orkneyskii was the victor of the July 5, 2014 Crown Tournament in the Kingdom of Lochac. His Majesty was inspired in His endeavor by Countess Liadan ingen Fheradaig.
In a recent blog posting for Code Switch, a website examing race, ethnicity and culture, NPR editor and producer Camila Domonoske ponders the word "fair," from its Anglo-Saxon roots as "beautiful" to its modern usage meaning "light-skinned."
An Irish archaeologist has identified British early Christian artifacts in the collection of the University Museum of the Norwegian University of Science and Technology (NTNU). One is a part of a gold crozier that dates to the late 8th or early 9th century; the other is tin-plated wooden reliquary shaped like a church with kite-shaped metal fittings that once held gems or other decorations that have since fallen out. The crozier fragment and reliquary were discovered in 1961 in the grave of high status Viking woman in the central Norwegian town of Romsdal.
For the past year, Griffin Murray from the University College Cork has been researching Irish archaeological artifacts in Scandinavian collections, looking particularly for early Christian croziers that may have been pillaged by Viking raiders and recycled into jewelry and other objects worthy of being buried as grave goods. He initially thought the Romsdal crozier was Irish, but upon closer examination he found the decoration is characteristic of the north of England rather than Ireland.
The backing of the crozier fragment is semi-cylindrical in shape, which means it adorned the middle of the staff. It was cut in half and converted into an adornment of some kind, perhaps a brooch, the fate of the Celtic disc from a Viking woman’s grave in Lilleberge, Norway, discovered in storage at the British Museum early this year. Its age makes the crozier piece highly significant.
“The most striking aspect of this object is the era it comes from. This is the oldest known English fragment, and the only one that dates from before 1000. If the Norwegian Vikings had not stolen it, it would most probably have been lost,” Murray said of the University Museum’s little piece of history. [...]
[NTNU curator Jon Anders] Risvaag believe that the Viking raids may have saved the museum’s piece of crozier, noting that most of the croziers that remained in the British Isles were melted down for other uses.
“In Norway and other Scandinavian countries, these artefacts were buried as grave goods, which is why the finest objects are usually found in gravesites,” he said. “This tradition appears to have saved one of the oldest croziers we know of today.”
The Viking Age dawned with the 793 raid on the priory of Lindisfarne in Northumbria, the earliest known Viking raid on the west. The crozier was made around that same period in the general area, so it could conceivably have been loot from one of the earliest Viking incursions on the British Isles.
Here’s a contemporary reaction to the Lindisfarne raid from a letter written by Alcuin of York (pdf), a church deacon and scholar at the court of Charlemagne, to Ethelred, King of Northumbria:
Lo, it is nearly 350 years that we and our fathers have inhabited this most lovely land, and never before has such terror appeared in Britain as we have now suffered from a pagan race, nor was it thought that such an inroad from the sea could be made. Behold, the church of St Cuthbert spattered with the blood of the priests of God, despoiled of all its ornaments; a place more venerable than all in Britain is given as a prey to pagan peoples. And where first, after the departure of St Paulinus from York, the Christian religion in our race took its rise, there misery and calamity have begun. Who does not fear this? Who does not lament this as if his country were captured? Foxes pillage the chosen vine, the heritage of the Lord has been given to a people not his own; and where there was the praise of God, are now the games of the Gentiles; the holy festivity has been turned to mourning.
I wonder what Alcuin would make of the fact that the very despoliation of those ornaments ensured their survival.