The day before Napoleon and Josephine’s wedding, the couple signed a marriage contract, but it wasn’t like a license you’d get from city hall. It takes a hard-nosed practical approach we’d recognize today as a prenuptial agreement, and quite a progressive one at that.
Article 1: There will be no community property between the future spouses. … Accordingly, the future spouses will not be liable for each other’s debts and mortgages.
It seems that lack of inventory may have been a deliberate oversight on Josephine’s part. Without an itemized list, who’s to say which items she wanted to take should the marriage fall apart was community property from her first marriage? Then there’s the deception both spouses engaged in. Josephine was six years older than Napoleon and this was subject of some societal and familial tut-tutting, particularly on his family’s side. So in the official marriage contract, Napoleon is aged by one year and Josephine rejuvenated by four.
On the afternoon of March 8th, 1796 (18 Ventôse IV by the French Revolutionary Calendar), the marriage contract was signed by Napoleon Bonaparte, Chief of the Army of the Interior (he had already been appointed Chief of the Army of Italy on March 2nd, but the promotion didn’t take effect until March 11th, the day he left Paris with his army to invade Italy), and Rose Marie Josèphe Tascher, widow of Alexandre François Marie de Beauharnais. It was notarized by Maurice-Jean Raguideau de La Fosse and Étienne-Gabriel Jousset and witnessed by the future general and future count Jean-Léonor-François Le Marois, Napoleon’s aide-de-camp. On March 9th, 1796, Napoleon and Josephine were wed.
The notary Raguideau reportedly thought this marriage was a terrible idea, not for Napoleon but for Josephine. This anecdote is from the questionably accurate Memoirs (Volume 2, Chapter XXIX) of Louis Antoine Fauvelet de Bourrienne, a diplomat and former schoolmate of Napoleon’s who served as his secretary shortly after the marriage.
When Bonaparte was paying his addresses to Madame de BEAUHARNAIS, neither the one nor the other kept a carriage; and therefore Bonaparte frequently accompanied her when she walked out. One day they went together to the notary Raguideau, one of the shortest men I think I ever saw in my life, Madame de Beauharnais placed great confidence, in him, and went there on purpose to acquaint him of her intention to marry the young general of artillery,—the protege of Barras. Josephine went alone into the notary’s office, while Bonaparte waited for her in an adjoining room. The door of Raguideau’s office did not shut close, and Bonaparte plainly heard him dissuading Madame de Beauharnais from her projected marriage. “You are going to take a very wrong step,” said he, “and you will be sorry for it, Can you be so mad as to marry a young man who has nothing but his cloak and his sword?” Bonaparte, Josephine told me, had never mentioned this to her, and she never supposed that he had heard what fell from Raguideau. “Only think, Bourrienne,” continued she, “what was my astonishment when, dressed in the Imperial robes on the Coronation day, he desired that Raguideau might be sent for, saying that he wished to see him immediately; and when Raguideau appeared; he said to him, ‘Well, sir! have I nothing but my cloak and my sword now?’”
Because both parties lied shamelessly, the contract would have been null-and-void had it ever seen the inside of an honest courtroom. Instead, when Napoleon tired of Josephine’s lovers, debts and her uterus’ insistence on not producing an heir, he divorced her. They had a formal divorce ceremony on January 10th, 1810, and although Napoleon married Marie Louise, Archduchess of Austria, just two months later, he and Josephine remained friends. Napoleon ordered that she retain the rank and title of empress, granted her full ownership of the Château de Malmaison and a pension of 5 million francs a year. She was at Malmaison when she died in 1814 while Napoleon was in exile on the island of Elba. Her name was the last word he spoke on his death bed in 1821.
There are two extant copies of Napoleon and Josephine’s prenup. Napoleon’s personal copy went to the National Archives because he didn’t have time to have it sent to him before his departure for Italy. Josephine’s copy, bound in a portfolio of rose morocco, has been in private hands for two centuries. It was sold at the Osenat auction house in Paris on September 21st. Three phone bidders drove the price from the €60,000 to €80,000 ($77,000 – $103,000) pre-sale estimate to a final cost including fees of €437,500 ($560,000).
The buyer was the Museum of Letters and Manuscripts, a privately-owned museum in Paris that bought Napoleon and Josephine’s divorce agreement from Osenat in 2007. Now they have the legal bookends of one of history’s greatest love stories.
This week's news for medievalists features the mystery of how books were being stolen from a medieval monastery's library, and the plans to build an Anglo-Saxon house.
[View the story "Secret Passageways and Trebuchet Trick Shots: Medieval News Roundup" on Storify]
Finally, check out our Instagram page, where you can see some of the photos we have been taking, such as this fun picture from Southwark Cathedral:
“I love being able to forget about modern times and I love to do my best to recreate history to the best of my ability,” SCA fighter Jared Kinser said, during an interview with Elysia Conner of the Casper (Wyoming) Journal at the recent Middle Platte Renaissance Faire. (photos)
In July of 2010, Los Angeles’ J. Paul Getty Museum bought Modern Rome – Campo Vaccino, a shimmering vista of the Roman Forum between the Capitoline and the Colosseum painted from memory by Joseph Mallord William Turner in 1839. The work had only had two previous owners and is in exceptional never-restored condition, so it far exceeded its pre-sale estimates and sold for $45 million, a new record for a Turner. The British government put a temporary export ban on the work to give UK museums a chance to match the price and keep the masterpiece in the country, but the ban expired before any museums could get anywhere near the sum and the Getty is now the proud owner of Turner’s glorious last painting of Rome.
Come December, the Getty will have an almost impossibly rare opportunity to secure another of Turner’s late Roman landscapes with the exact same provenance in the same untouched condition. Rome, from Mount Aventine will go up for auction at Sotheby’s Old Masters sale in London.
Alex Bell, joint international head and co-chairman of Sotheby’s Old Master Paintings Department, added: “There are fewer than ten major Turners in private hands known today and this work must rank as one of the very finest.
“This painting, which is nearly 200 years old, looks today as if it has come straight from the easel of the artist; never relined and never subject to restoration, the picture retains the freshness of the moment it was painted: the hairs from Turner’s brush, the drips of liquid paint which have run down the edge of the canvas, and every scrape of his palette knife have been preserved in incredible detail.”
Both paintings were commissioned by Scottish landowner and art collector Hugh Munro of Novar, one of Turner’s most important patrons. Turner painted Rome, from Mount Aventine in 1835, seven years after his last trip to Rome and one year before he and Munro traveled to Turin together. (Munro was the only patron of Turner’s ever to join him on a trip to Italy.) He based the painting on detailed sketches from the 1828 trip, sketchbooks that are now in the permanent collection of the Tate.
The painting was exhibited at the Royal Academy in 1836 and was a huge hit with critics. The Morning Post described it as “one of those amazing pictures by which Mr Turner dazzles the imagination and confounds all criticism: it is beyond praise.” Munro kept the work in his London home until he died in 1864. It was sold along with Modern Rome – Campo Vaccino, another of Munro’s commissions painted by Turner in 1839, at an 1878 auction of art from the Munro estate. Archibald Primrose, 5th Earl of Rosebery, bought them both, Campo Vaccino for £4,240 and Aventine for £6,142. The latter was a record for a Turner work at that time, but Primrose could afford it because he had just married Hannah de Rothschild, scion of the great banking family and the richest woman in Britain. That record held for 10 years even during a period when Turner’s growing popularity drove prices way up.
Both paintings remained in the Primrose family for four generations. Rome, from Mount Aventine has been on long-term loan to the National Galleries of Scotland for 36 years. The family has decided to sell this one for the same reason they sold the last one: to secure an endowment that will provide for the maintenance of the Rosebery estates. The NGS hasn’t commented on whether it will attempt to buy the painting at auction, but with a pre-sale estimate of £15-20 million ($24,530,000 – $32,707,000) that is likely to be left in the dust, the NGS is going to have to do a ton of fundraising to compete with the inky deep pockets institutions like the Getty.
Master Liam Saint Liam, he of many quests, has some suggestions for SCAdians wondering how to keep that magic post-Pennsic.
The last third of the year can be an odd time for the SCA, especially in the East Kingdom. It’s just way, way too early to start planning for Pennsic. (Of course, some of us find July 16 to be too early to be planning for Pennsic.)
But there is still plenty going on, and there are plenty of things to do.
And, yes, this is pretty much blatantly stolen from my friend Elashava Bas Riva from Northshield. Sharing is caring.
1. Volunteer at one event or demo. This can be tough in the late part of the year, but there are still plenty of events that need someone at gate, doing dishing, setting up, breaking down or retaining for the royals.
2. Finish an old project. You know you want to. It *can* get finished.
3. Start a new project on something you have never done before. (This way you can finish it next year).
4. Either teach a class or plan one for early next year. There are various places to do this, including at local meetings or at events. There will be at least one Newcomers’ Schola coming up, and you really don’t want the new folks to get all their information from me and Master Ernst, do you.
6. Meet a couple of new people at an event or a practice. Simply find a mutual friend and ask for the introduction. Heck, ask me. I know people.
7. Display something that you have made, whether in a competition or just at an A&S display, or even if you just bring it and show it around.
8. Offer a ride, a meal, or some time to a newcomer to help them find their way in the SCA.
10. Go to Crown. Seriously. Look it up and go. Stand with someone who knows about fighting and listen. Take breaks and go back and watch the semifinals and the finals. It’s wicked cool.
11. Start writing your persona story. Just open a document on your desktop, write your persona’s name, then list a half-dozen facts.
12. Write something for the East Kingdom Gazette. It’s not hard. I just did it while drinking two cups of coffee on a Saturday morning.
There are so many more ideas. Good luck.
Filed under: Uncategorized
The Listverse website offers a top ten list of 10 Swashbuckling Mercenaries Who Ravaged Medieval Europe including Conrad Of Landau and Rodrigo de Villandrando.
A discovery of an ancient "iPad," aboard one of 37 sunken ships found in the Theodosius Port on the European side of the Bosphorus, has delighted experts. The 9th century wooden object, they say, "is the ancient equivalent of a tablet computer. The device was a notebook and tool — in one." (photos)
A team of archaeologists from the University of Leicester Archaeological Services (ULAS) has unearthed the skeletal remains of an adult male and female who are still holding hands 700 years after they were buried side by side. The lovers were found along with nine other individual burials at the site of a cemetery on the north side of the Chapel of St Morrell in Hallaton, Leicestershire. They human remains have been radiocarbon dated to the 14th century.
Built on the side of a hill that appears to have had sacred structures on it at least since the Romans, the chapel was a site of pilgrimage in Middle Ages, in use from the 12th century to the 16th. The last documentary evidence of the chapel as an active pilgrimage site is the 1532 will of Frances Butler, a Hallaton priest. He left all his worldly goods to another priest, Edmund Oliver, with the stipulation that he travel to four shrines to ensure the ideal disposition of Butler’s soul. “St Mawrell of Hallaton” was one of the four.
Sometime after that it fell into disuse. Eventually the chapel crumbled and its location was lost to memory. The hillside became the locus of an annual Easter custom called the Hare Pie Scramble and Bottle Kicking in which hardy men from Hallaton and the neighboring village Medbourne chase a wooden canteen down the hill and over a stream. The event begins on Hare Pie Bank, so named because that’s where the hare pie gets eaten before the bottle kicking begins.
A decade or so ago, local historian John Morison found a reference in a 1606 Glebe Terrier (a survey of parish lands that were income-generating parts of a clergyman’s benefice) that the “Chapel of St Morrill” was on or around Hare Pie Bank. The Hallaton Fieldwork Group (HFWG) did a geophysical survey of the site which found a square perimeter about 120 feet across with various architectural features inside. Together with ULAS and some local volunteers, they began excavating Hare Pie Bank.
This is the fourth year of excavations on the site. The tiled floor of the chapel has been unearthed, along with the remains of walls and lead from the windows. Coins were found dating to between the 12th and 16th centuries, confirming the documented period of activity. Underneath the chapel remains archaeologists found Roman remains, among them a square ditch that may be evidence there was a temple on the site. Given that the vast Hallaton Treasure of more than 5,500 Roman and British coins, a silver bowl, ingots, jewelry, the complete skeletons of three dogs, the bones of more than 300 pigs consumed in a feast and an exceptional Roman cavalry parade helmet were discovered just a few hundred yards from Hare Pie Bank, it seems likely that this area has held ritual significance since before the Roman conquest.
Vicki Score, ULAS project manager, said: “We have seen similar skeletons before from Leicester where a couple has been buried together in a single grave. The main question we find ourselves asking is why were they buried up there? There is a perfectly good church in Hallaton. This leads us to wonder if the chapel could have served as some sort of special place of burial at the time.”
The team believe the chapel may have been an area of pilgrimage. Alternatively, the bodies might have been refused burial in the main church, perhaps because they were criminals, foreigners or sick.
Further study of the skeletal remains might help explain their burial. So far, in addition to the lovers, one older male has been found with a wound from a sharp weapon like a pole axe on his skull that was probably what killed him. The teeth of a young man who was buried with his legs raised to his chest indicate that he experienced trauma as a little boy. He’s likely to have been felled by illness, and in fact there is a reference by a 17th century historian to Hallaton having been a holy place visited by flocks of sick people.
Duchess Kathryn reports that, at Their Keeper's of Dry Stone event, Their Majesties Walrick and Cecilia of the Kingdom of the Outlands offered elevation to the Order of the Chivalry to THL Einarr Skallagrimsson.
According to legend, Robin Hood married Maid Marian in Edwinstowe, a village near the Major Oak, the legendary shelter for the outlaw and his band of Merry Men. Now volunteers are helping to excavate the area looking for Sherwood Forest's medieval past.
The Codex Chimalpahin, a seminal three-volume handwritten indigenous history of pre-Hispanic and 16th century Mexico, has returned to Mexico after almost 200 in the archives of the British and Foreign Bible Society (BFBS). The codex was slated to be sold at a Christie’s auction in London on May 21st of this year. Before the sale, Mexico’s National Institute of Anthropology and History (INAH) contacted Christie’s in the hope they could acquire the codex privately. The BFBS was glad to work with them so that this founding document of national significance could go home.
The day before the auction, INAH became the delighted new owner of the Codex Chimalpahin. The three volumes arrived in Mexico on August 18th, 2014, where they were secured in the vault of the National Library of Anthropology and History. On September 17th, the Codex Chimalpahin was welcomed home in an official ceremony attended by officials from the government, INAH and the National Museum of Anthropology (MNA). The next day the Codex Chimalpahin went on display in the Mexican Codices: Memories and Knowledge exhibition at the MNA along with 43 other codices from the National Library vault that have never been exhibited to the public before.
The Codex Chimalpahin is considered the first history of Mexico. It’s a collection of several chronicles, calendars, lists of rulers, locations, accounts of the Spanish conquest and more written in Nahuatl and Spanish. Prominent in the first two volumes are the writings of Fernando de Alva Ixtlilxochitl (b. between 1568 and 1580 – d. 1648), a direct descendant of Ixtlilxochitl I and Ixtlilxochitl II, rulers of Texococo, and of Cuitláhuac, the penultimate ruler of Tenochtitlan. He was heir to their titles and property, but unfortunately there wasn’t much of the latter. Educated in Nahuatl and Spanish, Alva Ixtlilxochitl had a profound knowledge of his ancestors’ oral histories, songs and traditions. He worked his whole life for the people who ruled the land his fathers had ruled as a translator and historian. He died in poverty.
The Historia Chichimeca. a history of the Nahua peoples through the Spanish conquest from the Texoca perspective, is Alva Ixtlilxochitl’s most enduring work. It’s in the Codex along with several other of his writings. They are the only surviving copies of his histories in his own handwriting. Volume One even has his signature.
Most of Volume Three was written by Domingo Francisco de San Antón Muñón Chimalpahin Quauhtlehuanitzin (b. 1579 — d. 1660), a Nahuatl historian who also claimed to be a descendant of Aztec rulers. His Nahuatl names mean “Runs Swiftly with a Shield” (Chimalpahin) and “Rises Like an Eagle” (Quauhtlehuanitzin), and the first of them gives the codex its name. His writings were not commissioned by the Spanish viceroys, unlike Alva Ixtlilxochitl’s. They were written in Nahuatl for Nahuatl readers. There are only six of his works extant in his own handwriting. The other five were already in public institutions and now this last one is as well.
The manuscripts were compiled and bound into three volumes by Carlos de Sigüenza y Góngora (b. 1645 – d. 1700), a poet, historian, former Jesuit, philosopher and all-around intellectual born in Mexico City of Spanish parents. He had a particular interest in the indigenous cultures and created a legendary library of native documents, including manuscripts by Chimalpahin and Alva Ixtlilxochitl. He in fact became good friends with Don Juan, the son of Fernando de Alva Ixtlilxochitl, who gifted him many of his father’s works to thank him for his help in a lawsuit against Spanish settlers trying to steal his property near the great pyramids at San Juan Teotihuacan. After Don Juan died, he bequeathed the rest of his collection to Sigüenza.
Much of Sigüenza’s famed library was acquired by Italian-born antiquary and ethnographer Lorenzo Boturini Benaduci (b. ca. 1702 – d. ca. 1753). Benaduci fell afoul of the Spanish viceroy and in 1743 he was arrested and his collection impounded. Although eventually Benaduci was absolved and the King ruled his collection should be returned to him, it never was. During the years it was kept in the office of the viceroyalty, it was horribly neglected and many items disappeared. Parts of the collection can be found in the Berlin State Library, the National Library in Paris and the National Museum of Anthropology.
The Codex Chimalpahin fell into the hands of priest, politician, historian José María Luis Mora Lamadrid (b. 1794 – d. 1850). One of his favored political causes was national literacy. To further that aim, in 1827 he made what seems like a completely insane deal with James Thomsen of the British and Foreign Bible Society: already rare original handwritten works by Alva Ixtlilxochitl and Chimalpahin in return for a bunch of Protestant Bibles to be used in a national literacy campaign.
The codex was never published or even studied. Once it left Mexico, scholars who would seek out such a source had no idea where it was. It was considered lost until it showed up like magic in the Christie’s sale. Now it’s on display in Mexico and, once the exhibition ends in January, it will be made available to researchers at the National Library of Anthropology and History.
In a recent interview as part of the "Alter Egos" series. NPR Morning Edition's David Greene spoke with Franklin Slaton of Birmingham, Alabama, known in the SCA as Baron Cynred of Gwent. The interview is available as a podcast or in print.
The following is a summary of changes and openings in the roster of East Kingdom Officers from the Kingdom Newsletter: Pikestaff. The kingdom has long appreciated the services of many talented volunteers, so read the list over – one of the up-coming vacancies may be the perfect fit for YOU.
Kingdom Marshall of Fence – The current term ends in November. Don Caine
Kingdom Earl Marshall – The current term end in January. Sir Oskgar is
Marshal of Equestrian Activities – The current term end in January.
Tyger Clerk of the Signet – At Twelfth Night, Mistress Nest verch
Tir Mara Chatelaine – The new Regional Deputy Chatelaine for Tir Mara is
Pennsic Steward – The Pennsic Steward is responsible for the storage,
Kingdom Media Officer – The Media officer distributes press kit
Filed under: Tidings
After 400 years, a ship, believed to be the Cherabin, will be celebrated once again in England. The "state pirate ship," sponsored by Queen Elizabeth I, has been raised from the floor of the Thames estuary to find a new home in the National Dive Centre in Stoney Cove, Leicestershire. (photos)
Workers for Ireland’s semi-state peat harvesting company Bord Na Móna discovered an ancient bog body in Rossan Bog last Saturday, September 13th. As per protocol, when the remains were found, work stopped and the gardai (police) were called. When the gardai determined that it was not a contemporary crime scene, they quickly informed the National Museum of Ireland which has the largest collection of bog bodies of any museum in the world.
Rossen Bog straddles two counties. The partial remains — only the lower leg, foot bones and some flesh were recovered — were found close to the border with County Westmeath, two miles from the town of Kinnegad where another bog body was found in December of 2012. Later named Moydrum Man, the 2012 body was radiocarbon dated to 700 – 300 B.C.
Maeve Sikora of the Irish Antiquities Division, who led the Museum’s fieldwork team said the fact that two bodies were unearthed in such close proximity to each other makes the find even more exciting.
“A lower leg of an individual was discovered. We don’t yet know how old it dates back to or whether it was male or female. We will be carrying out tests over the coming months to determine more information about this body but because it was the lower leg this could prove difficult,” Ms Sikora told the Westmeath Examiner today.
“Because it was found at the site where another bog body was found two years ago it makes it all the more interesting,” she continued. “The 2012 find dates back to at least 700 – 300 BC, so it was prehistoric. That’s why it’s unusual to find two in the one place extremely close together and it makes it all the more exciting because it shows that it was an area where a lot of activity took place.”
National Museum of Ireland archaeologists and conservators excavated the find site over the weekend and the removed the bog body to its conservation laboratory at Collins Barracks, Dublin. Even though little remains of the body, the oxygen-free environment of peat uniquely preserves organic materials that decay rapidly in other contexts. Thus, the bones and tissues that have been recovered may prove a rich source of information about the deceased. Having another body discovered nearby to compare it to will shed rare light on he Bronze Age life and religious practices in the area.
Excavators from Scottish Hydro Electric (SHE) Transmission are accustomed to finding historic artifacts during their work. In fact, their team includes an archaeologist. Now a recent discovery of a 14th or 15th century barn has given her something exciting to study.
Master Caelin on Andrede reports that he has posted his photos from Pennsic 43. The albums may be viewed on Flickr.
In 1564, the Swedish warship Mars went up in flames, taking "800 to 900 Swedish and German sailors and a fortune in gold and silver coins to the bottom of the Baltic Sea." Jane J. Lee offers a feature on the "cursed" ship for National Geographic online. (photos)
The Peabody Essex Museum (PEM) in Salem, Massachusetts has acquired a rare collection of 18th century Indian textiles that are in such spectacular condition that you’d be forgiven for thinking they were made yesterday. Made in the early 1700s for export to the Netherlands, the cotton chintz textiles include jackets, men’s dressing gowns (banyans), women’s dressing gowns (wentkes), children’s caps and bed coverlets known as palampores both hand-painted and embroidered.
Cotton, mordant- and resist-dyed, and painted. Jacket, pieced from three patterns of chintz: sleeves from a chintz with a red background and large pink flowers and leaves (lined with a European floral print), and the bodice from an Indian chintz with a white background and red flowers and vines, and a European printed cotton with small floral vines. The bodice is lined and padded with cotton. The jacket is trimmed with silk velvet and Dutch weft-patterned tape (langetband), stitched with silk thread, and fitted with brass hook-and-eye fasteners. Veldman-Eecen Collection. Image and description courtesy the Peabody Essex Museum, Salem.
There are about 170 textiles in the collection, all assembled by historian Alida Eecen-van Setten between 1927 and 1969. Some she bought from antiques dealers, others she scavenged from the trash, documenting every acquisition in her “chintz book.” She shared her collection with fabric designers who used the patterns in their creations and with other historians, keeping the chintz book current as new research suggested different dates. After her death, her granddaughter Lieke Veldman-Planten took charge of the textiles and the book. The collection is named after both women: the Veldman-Eecen Collection.
Constructed in Hindeloopen, The Netherlands, mid-18th century. Cotton, resist-dyed and painted; gown, lined with linen, trimmed with Dutch weft-patterned tape (langetband). Veldman-Eecen Collection. Image and description courtesy the Peabody Essex Museum, Salem.
The textiles are decorated with vibrantly colored floral motifs that began as naturalistic garden scenes commissioned by Babur, the first Mughal emperor of India, in the 16th century but had become stylized botanicals by the reign of Shah Jahan, builder of the Taj Mahal, in the 17th century. They were hand-painted and fixed using mordant and resist dying techniques that ensured the bright colors of natural dyes like red madder and blue indigo held fast without fading. Nothing in Europe could compare to the intensity and durability of Indian colors.
Portuguese traders began exporting Indian textiles in the 1500s, but it was the Dutch East India Company (VOC) that began large scale exports in the 17th century. It started out as a branch of the spice trade since Indian cloth was used as currency in Indonesia and the Spice Islands. Merchants would buy textiles with European bullion, trade some of them for spices and then sell both the cloth and the spices in Europe. By the late 17th century, England, France and the Dutch Republic each imported more than a million pieces of chintz a year.
Many textile words in English are imports from India. Bandanas were Bengal handkerchiefs sold as neck cloths to sailors and laborers; chintz comes from the word “chitra” meaning “spotted.” Calico, khaki, gingham, dungarees, pyjamas, and my personal favorite, seersucker, are all Indian words for textiles and garments that became ubiquitous in Europe during the heyday of the textile trade.
Cotton, mordant- and resist-dyed, and painted. The front and back of the yoke are constructed from large, vibrant pieces of the same chintz in red, blue, purple, yellow, and green. The shoulders are pieced from several smaller fragments of a different chintz pattern. The yoke is lined with linen, fitted with cotton tape ties and brass rings, and possibly decorated with gold thread. Veldman-Eecen Collection. Image and description courtesy the Peabody Essex Museum, Salem.
The explosion of popularity of imported textiles sent local cotton producers into a tailspin. France prohibited the import of chintz in 1686; England followed suit in 1720, prohibiting not just its import but also its use in furniture, bedding and clothing. Demand remained high, however, and as inevitably happens with prohibitions of pretty much any kind, making the importation of Indian chintz illegal just created a burgeoning black market.
Ultimately it was duplication and industrialization starting in the late 18th century that killed the Indian export textile trade. Machine-printing and synthetic dyes made possible the speedy manufacture of large quantities of cheap fabrics. Expensive imports couldn’t compete.
Alida Eecen-van Setten’s interest in collecting and documenting these textiles was unusual at the time. Formerly fashionable consumer goods weren’t popular subjects for historians, and keeping 200-year-old organic fabrics from decaying is not an easy thing. There are very few 18th century chintzes available on the antiquities market (or in dumpsters) today. Her taste, persistence and dedication saved these exquisite textiles for a time when they could be appreciated as the museum pieces they are. She collected in such depth that the collection today is pretty much ideal for museum display. There are 15 chintz baby caps, for example, so the museum will be able to rotate them in and out of public view to keep them all in optimal condition.
In 2015, the Peabody Essex Museum will partner with no less illustrious an institution than the Rijksmuseum for an exhibition about the Dutch East India Company’s vast and influential trade in Asian imports. The Veldman-Eecen Collection will feature prominently in the Asia in Amsterdam exhibition that will run in Amsterdam from October 16th, 2015 until January 17th, 2016, after which it will travel to the Peabody Essex.
Heywood Bright, liberal British politician, was a collector of rare books. Recently his library, including several previously unknown or incomplete medieval treasures, was auctioned by Christie's.