Documented from the Scrolls of the Reign of Magnus Tindal and Etain II, basileos kai basilissa Æthelmearc: the Business of Their Court at Donnan Party, 26 March Anno Societatis L, in the Shire of Ballachlagan, accompanied by Her Highness Ariella, Princess of Æthelmearc. As recorded by Their Silver Buccle Herald, Kameshima-kyō Zentarō Umakai, with the assistance of Gwendolyn the Graceful, Brehyres.
In the morning:
Lady Juliana Ravenshaw presented a history of the Donnan Party, being originally a birthday celebration held in honor of Master Donnan.Today, however, was not Donnan’s birthday, but it was Her Highness’s birthday, and so she presented Her Highness with a celebratory cake baked by the Shire. Her Highness was then serenaded by all assembled.
Maestro Bastiano de Iacopo was invited before the Imperatori and confirmed that it was still his wish to hold the field in contemplation of elevation to the Imperial Council of Defense. The said Council was then convened and voiced their assent. Maestro Bastiano was given into their care to convey him to the field that had been prepared for him.
In the evening:
Sienna Ravenshaw was created a Companion of the Silver Buccle for her service in setup and teardown of events, watching children, and assisting with arts and sciences efforts in the shire. Scroll forthcoming.
The children of the Kingdom were called forth and, with the assent of their parents, given into the care of Sienna Ravenshaw to keep them amused during Court.
THL Aelric Ravenshaw, the autocrat of the day, was invited forth and gave thanks to the event staff. He also announced that Lord Markus Skalpr Grimsson was the victor in the fencing tournament sponsored by the Æthelmearc Academy of Defense. Markus was presented with a scroll by THL Aelric Ravenshaw.
Susannah DeHart was Awarded Arms for her dedication to many arts and sciences, including brewing, crafts, stained glass, cooking and herbs, and for bringing her apothecary knowledge to the aid of her camp at Pennsic. Scroll by Lady Vivienne of Yardley.
Kaylee of Ballachlagan was Awarded Arms for her service as deputy exchequer and tollner, and her skill in dance and the scribal arts. Scroll by THL Aelric Ravenshaw.
Wilhelm Isenhart was Awarded Arms for his prowess with fencing blades, his skill in woodworking, and his service to his shire in the kitchens, and in the setup and teardown of events. Scroll by THL Aelric Ravenshaw.
Lord Oliver Sutton was created a Companion of the Keystone for serving as the Knight Marshal for Ballachlagan, teaching new fighters, assisting with the setup and teardown of events, and being part of the burgeoning Ballachlagan scribal guild. Scroll by Lord Tegrinus de Rhina.
Lady Dominique von Weissenthurn was inducted into the Order of the Sycamore for her research into period headwear and buttons, her skill in sewing, and her enthusiasm in teaching that knowledge to others. Scroll by THL Aelric Ravenshaw.
Lady Iaroslava Ivanovna was given Their Majesties’ Award of Excellence for her many years of service to the Kingdom. She was then further admitted into the Order of the Sycamore for her diligent research into the arts of Pysanky eggs, ceramics and dance. Scroll by THL Aelric Ravenshaw.
Beatrix of Anglesey was presented with the Sigil of Æthelmearc for her service to the Crown.
THL Fiora d’Artusio was elevated to the Order of the White Scarf of Æthelmearc for her research into and skill in the art of fencing and those arts associated with it: teaching, garbmaking, the works of the fencing masters, and supporting the fencing community. Scroll illuminated by Meestress Odriana vander Brugghe and calligraphed by THL Kieran MacRae.
The Imperata presented Mistress Katla ulfheðinn with her token of inspiration, for though many had given of their time and effort to make the day comfortable for Her Majesty, Mistress Katla had, in Her opinion, gone above and beyond the call of duty.
The Imperatori thanked all scribes and medallion wrights who had contributed their talents and largesse to enhance the Court’s proceedings.
There being no further business, the Imperial Court was closed.
In Honor and Service,
A unique double seal matrix commissioned by Robert the Bruce that is one of very few surviving objects linked directly to King Robert I has been sold to an overseas buyer and is in danger of leaving the UK. The seal sold at auction on December 4th, 2015, for £151,250 ($217,450), well above the pre-sale estimate of £80,000-120,000 ($115,140-172,710). The buyer is American and applied to the Culture Ministry for an export license. The Art Council’s Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest (RCEWA) recommended that Culture Minister Ed Vaizey block export to give UK museums or collectors the opportunity to raise the purchase price and keep the artifact in the country.
In 1315, Robert the Bruce granted the Abbey, with which he had a longstanding relationship and where he would be buried after his death, a royal charter.
“Robert, by the grace of God King of Scots, to all upright men in his whole land, greeting: Know ye that, for the safety of our own soul and that of our predecessors and successors, Kings of Scotland, we have given, granted, and by this our present Charter, have confirmed to God, the Blessed Mary the Virgin, the Church of the Holy Trinity, and St. Margaret, Queen of Dunfermlyn, and to the monks serving and to serve God for ever in the same, the right of patronage of the vicar Church of Inverkeithing, with the pertinents, as freely and quietly, fully, peacefully, and honourably as the predecessors formerly of Roger de Moubray, knight, who had forfeited it to us, have held and possessed the said right of patronage most freely, quietly, and honourably in all things, by rendering to us nothing therefore by only the suffrages of their prayers: Besides, we give and grant, and, by this our present charter, confirm to the foresaid monks, the whole of our new great Customs from all their lands within our kingdom, viz., the land of the burghs of Dunfermlyne, Kirkcaldy, Musselburgh, and Queensferry, and from all their other lands whatsoever; To also let the said monks have and use their own Koketa, according to the liberties of their regality, and our present concession in all their foresaid lands; and let this Koketa be acknowledged and admitted by all burgesses and our people, and foreign merchants throughout our whole kingdom, without obstruction from our chamberlains, or other servants of ours whatsoever for the time being, without petition from any other allocation of liberation, by finding for this our donation and concession of the said Customs for us and our successors, in honour of God and the Blessed Virgin Mary, and the aforesaid Blessed Margaret in the Choir in front of her shrine, one wax candle solemnly lighted, continually and forever. In testimony whereof we have caused our seal to be attached to our present Charter, these fathers being witnesses. William, and William, Bishops of St. Andrews and Dunkeld; Bernard, our Chancellor, the Abbot of Aberborthick; Duncan and Thomas Randolph, of Fife”
This charter granted the Abbey some lands and conferred the right to collect revenues from customs duties and taxes. The two-part bronze seal, known as a Cokete Seal, was commissioned by the Bruce for the Abbey to use on customs documents. We know the exact date it was made because there’s a record of it in the archives of Dunfermline Abbey: “The Cocquet Seal of the Regality Court of Dunfermline was engraven this year by sanction of King Robert the Bruce, by Chapter, dated at Scone, 10th July, 1322, along with letters patent to all who paid customs at Bruges, in Flanders, or elsewhere, notifying that wherever this Seal was in due form produced, it was to be recognised as the authority for collecting the customs granted to the Abbey by the King, &c.”
The two parts were pressed together over a large blob of wax to form a seal. The wax seal would then be attached to an official document with a piece of parchment (for a brilliant example of attached seals acting as signatures, see the letter to Pope Clement VII from the peers of England asking for Henry VIII’s marriage to Catherine of Aragon to be annulled). The obverse seal matrix features an image of Saint Margaret, Queen consort of King Malcolm III of Scotland, founder and patron of Dunfermline Abbey, and is bordered with the Lombardic Latin legend “+ S’COKETE REGALITATIS.DE. DVNFERMELYNN,” (Cokete Seal of the regality of Dunfermline). The reverse features the royal arms of Scotland bordered with the legend “+ROBERTVS DEI GRACIA REX SCOTORVM” (Robert, by the Grace of God, King of the Scots).
The RCEWA made their recommendation on the grounds that it was of great value for the study of medieval goldsmith work and sigillography and the re-establishment of Scottish institutions under Robert the Bruce.
RCEWA Member Leslie Webster said:
“This remarkable and handsome seal-die is of national importance on several counts; it is closely linked to the charismatic figure of Robert the Bruce, and to the history and institutions of Scotland at a crucial time in its evolution as a nation; its association with the royal abbey of Dunfermline sheds light on how the king acted out his authority, delegating the powers of the crown; and its outstanding quality may suggest the influence of French craftsmen.”
The Scottish government has declared itself in support of all efforts that would keep the seal matrix in the UK, ideally in a Scottish museum, but there’s no official campaign that I could find. Here’s an Indiegogo campaign that’s been set up by a concerned individual who would use the funds to acquire the seal and donate it to the National Museum for Scotland. It’s less than 1% funded at this point, and I suspect the money is more likely to be raised by the institution itself tapping its private donors and launching a public campaign like the Victoria & Albert Museum did with Wolsey’s Angels. The National Museum already has an impression of the obverse in its collection. I imagine they’d be keen to have the original matrix pair.
Time’s awaistin’. The temporary bar expires on June 21st. If there’s a good faith effort to raise the money and it looks like they have a chance of reaching the goal, the deadline may be extended until September 21st.
Queen’s Rapier Championship
Shire of Abhainn Ciach Ghlais, May 28, 2016
Please join us at the Pennsdale Civic Center in the Shire of Abhainn Ciach Ghlais, 261 Village Rd Muncy Pa, 17756Event Fees and Reservations
Adult Event Registration: $17
Those with proof of current society membership will receive the member discount.
Make checks payable to “SCA PA, Inc. Shire of ACG”.
Please include the following information with your payment:
Reservations should be sent to:
The Autocrat for the event is Antoinette deLorraine (Ashley Green), antoinettedelorraine AT gmail DOT com, 1103 Ave G. Danville Pa, 17821, cell: (570)-317-4575 please call or text with any questions. A sideboard lunch will be provided by the ACG Cook’s Guild. Contact the autocrat if you have any dietary concerns. The Reservations Clerk is Conrad Kienast c/o Bob English: conradkienast AT yahoo DOT com. Dona Fiora d’Artusio, our current Champion, will be announcing the tournament set up at a later date. Please check back for more detailsDirections: -from I-80 take exit 212B onto I-180W toward Muncy/Williamsport -take exit 15 for US 220N towards Pennsdale/Halls -turn right onto US 220N at the bottom of the ramp -slight left onto village rd -site is on the left Click here for the Kingdom Event Info Page
A number of regular Pennsic merchants will be there, as will many merchants those from the East who haven’t traveled to western wars and events may not have seen before, so take a moment to check out the list:
Filed under: Announcements, Events, Tidings Tagged: merchants, SCA 50 Year
Archaeologists and students with the Mugello Valley Archaeological Project excavating the ancient Etruscan settlement of Poggio Colla about twenty miles northeast of Florence have discovered an ancient stele with a long inscription in Etruscan. Just days before the end of the dig, the team found an oddly shaped sandstone slab embedded in the foundations of a temple wall. When they first unearthed a section of the stone, they weren’t sure what it was. An unfinished column base or a recycled podium stand were suggested as possibilities, but when more of the slab was revealed, they saw the faint traces of an inscription and realized it was stele. It took the team several days of cautious excavation to find the inscription was an unusually long one, with multiple characters engraved along the edges of the stele.
The slab weighs about 500 pounds and is almost four feet high and more than two feet wide. It dates to around the 6th century B.C. Archaeologists believe the stele was part of a sacred display in the first temple built on the site, an oval structure made of wood that bucchero pottery fragments date to after the early 7th century B.C. It was demolished around 2,500 years ago and new, larger temple was built with a stone podium and stone Tuscan Doric column bases. The old stele was reused as a foundation stone in the new temple.
The news of the find quickly spread through the archaeological community of Tuscany. Two days after the stone was excavated, visiting Etruscan scholars watched as professional art and artifact movers recommended by the Tuscan Archaeological Superintendency lifted the stele from the site, strapped it to a sled and slowly lowered it down the wooded hillside to a waiting pickup truck. It was then transported to the laboratories of the Superintendency in Florence for conservation.
Conservators are photographing and laser scanning the stele to reveal the full details of the inscription. The sandstone has been worn and chipped away and one side has been reddened, probably by fire. It will have to be cleaned before experts have a chance of deciphering the inscription, but they have counted more than 75 characters (letters and punctuation marks), an unusually long text for an Etruscan stele.
Etruscan is often described as a “lost” language, and while it’s true that there are no known living languages related to it, it’s not an untranslatable mystery. In fact, scholars know a fair amount about it from the approximately 13,000 inscriptions in the language that have been discovered. The known vocabulary is limited because most of those inscriptions are very short funerary texts found in tombs or “property of” lines on bronze mirrors.
(I have to briefly digress to mention my favorite Etruscan inscription: the Liver of Piacenza, a bronze sculpture of a life-sized sheep’s liver that is divided into sections labeled with the name of the deity believed to inhabit that piece of the liver. It’s a sort of guide for the haruspex, a diviner who read omens and made predictions from the entrails of sacrificed animals.)
The stele is not a funerary text. It’s a religious dedication from an early phase of the site. Its location adds to its rarity since most Etruscan inscriptions have been in what was once southern Etruria. Poggio Colla is in the northern Etruscan territory.
“We know how Etruscan grammar works, what’s a verb, what’s an object, some of the words,” Warden said. “But we hope this will reveal the name of the god or goddess that is worshiped at this site.” The text will be studied and published by a noted expert on the Etruscan language, Rex Wallace, Professor of Classics at the University of Massachusetts Amherst.[...]
It would be a rare discovery to identify the Etruscan god or goddess to which the sanctuary was dedicated.
“Apart from the famous seaside shrine at Pyrgi, with its inscribed gold plaques, very few Etruscan sanctuaries can be so conclusively identified,” [University of Pennsylvania Museum Etruscan scholar Jean MacIntosh] Turfa said. “A study of the names of the dedicants will yield rich data on a powerful society where the nobility, commoners and even freed slaves could offer public vows and gifts.”
On a soggy Thursday afternoon, Caoilfhionn Banri opened her court at the Gulf Wars in the Kingdom of Gleann Abhann. She called before her Millicent Rowan and Gregor Mac Eoain and inducted each into the Order of the Silver Rapier. She further awarded Gregor Mac Eoain Arms and made him a Lord of the Eastern Court. Court was then suspended.
That night, the winds did howl, the rain poured down, and the East gathered in the Royal cabins to wait out the severe weather. When it was calm again, the populace poured out to survey the damage. The mighty Eastern force, helped right blown over tents, clear storm damage, offered hot food and beverage to those who no longer had any.
On a damp and gray Friday morning, Caoilfhionn reopened her court. She spoke of pride in her forces both on and off the battlefield. She spoke of bravery and comportment on the list shown by the fighters who fought at her side and in her name.
She called before her Sorcha Dhocair and inducted her into Order of Valor of the East.
She then began to speak of the generosity of her Eastern Force. She saw people come together to help friends, neighbors and strangers pick up the pieces left by the severe storm. She remarked upon how food and beverage magically showed up into the royal cabin to feed everyone who had taken up refuge there. She spoke with pride on how a little wind could not stop the East. And with that, she inducted the Eastern force into the Company of the Pennon of the East.
And thus closed the Court of Caoilfhionn Banri at Gulf Wars in the Kingdom of Gleann Abhann.
I swear these words to be right and true. I respectfully submit these into record by my hand.
Filed under: Court, Events, Tidings, Uncategorized Tagged: court report, events
The designs for the Queen’s Favors for the upcoming reign are due by April 2 at Ice Dragon. We will have a table set aside for this in the Pent Room – you may bring them anytime during the day until 2 pm. For more information, see the previous Gazette article.
Do not forget to bring back all your scroll cases! We will also be collecting these either in the Pent Room (drop them off at the registration table) or at the backlog scroll display.
And lastly, if you are entering the Pent, please take the time to go to the Pent website and become familiar with the registration requirements, especially if you are cross-entering items. You must have photos of the item to place on the tables for the extra categories, and an extra set of documentation for each cross-entry. You can find all the details here – the photo requirement is applicable whether you are entering it in five categories or just one extra one. Save time and download the entry forms here.
Looking forward to seeing all the wonderful items!
Tiercelin & Julianna
Eastern Results on the January 2016 LoAR
The Society College of Heralds runs on monthly cycles and letters. Each month, the College processes name and armory submissions from all of the Kingdoms. Final decisions on submissions are made at the monthly meetings of the Pelican Queen of Arms (names) and the Wreath Queen of Arms (armory). Pelican and Wreath then write up their decisions in a Letter of Acceptances and Return (LoAR). After review and proofreading, LoARs generally are released two months after the meeting where the decisions are made.
An “acceptance” indicates that the item(s) listed are now registered with the Society. A “return” indicates that the item is returned to the submitter for additional work. Most items are registered without comments. Sometimes, the LoAR will address specific issues about the name or armory or will praise the submitter/herald on putting together a very nice historically accurate item.
The following results are from the January 2016 Wreath and Pelican meetings; these items were submitted to the East Kingdom at Pennsic 2015.
Aildreda de Tamworthe. Badge. (Fieldless) An estoile azure.
Andrea Caitlin MacIntire. Device. Per chevron azure and gules, a chevron rompu between two quatrefoils pierced and a fireball argent.
Ástríðr Elfvensdottir. Badge. (Fieldless) A hedgehog rampant Or maintaining a needle sable.
Aveline d’Amiens. Name and device. Per fess embattled argent and azure, in chief three rats rampant sable.
Both elements are found in Paris in 1292, making this an excellent late 13th century French name!
Conall Ó Suibhne. Device change. Or, a wolfhound statant between three trefoils vert.
The submitter’s old device, Per bend embattled argent and vert, two talbots passant contourny counterchanged, is released.
Eckhart Wurm. Name (see RETURNS for device).
Both elements are found in Nürnberg in 1497, making this an excellent late 15th century German name!
This name does not conflict with the registered name Eckehard Thurn. The byname is substantially different in sound and appearance under PN3C3 of SENA.
Edwarde Midnight. Name and device. Per bend sinister gules and argent, a tower Or and a four-leaved clover slipped vert.
Eirný Bergsdóttir. Name and device. Per bend purpure and argent, a beorc rune and a mountain counterchanged.
Elaine Howys of Morningthorpe. Name reconsideration from Eliane Howys of Morningthorpe and device. Or, a chevron sable platy between three jerkins gules, a chief sable platy.
The submitter requested authenticity for an unspecified place and time. This name is authentic for 16th century England.
Elaine Howys of Morningthorpe. Badge. (Fieldless) A jerkin per pale gules and Or.
Elizabeth Vynehorn. Badge. Argent, a quatrefoil per bend gules and azure.
Eva von Kölln. Name (see RETURNS for device).
Submitted as Eva von Köln, the submitter requested authenticity for a 15th century German name. Eva is documented in multiple German cities in a 1495 tax roll, and Köln is found in an unmarked locative byname in Germany dated to 1636. The form von Kölln (possibly von Kolln) is found in a charter dated to 1470 (http://monasterium.net/mom/ArdCan/1470_VI_07/charter?q=%22von%20K%C3%B6lln%22). We have changed the byname to von Kölln to meet the submitter’s request for a 15th century name.
Francesco Gaetano Greco d’Edessa. Badge. Per fess gules and vert, a cross and in canton a pearled coronet Or.
The submitter is a court baron and thus entitled to the display of a coronet.
This is the submitter’s sixth piece of registered armory.
Gerhard Stormeclocke. Badge. (Fieldless) On a tower sable, a lightning bolt palewise Or.
There is a step from period practice for the use of a lightning bolt not as part of a thunderbolt.
Giana di Nicholò da Firenze. Name and device. Vert, on a pile indented argent an owl’s head cabossed sable.
Please advise the submitter to draw the pile with more indentations and to add internal details on the owl’s head to improve its identifiability.
Gunnarr askasmiðr Óláfsson. Name and device. Sable, in saltire a rapier inverted argent and a guitar Or, in chief a death’s head argent.
Hans Ferdinand Engel. Name and device. Quarterly gules and azure, a sword inverted winged at the blade argent transfixing a harp Or.
Hasanah bint al-Khalil ibn Habib. Name and device. Erminois, an elephant’s head cabossed gules, a chief sable.
Jadwiga Piwowarka Miodunka. Name and device. Gyronny argent and gules, in pale a demi-weasel sable issuant from a mug purpure.
Piwowarka is the feminine form of the occupational byname meaning “beer brewer”. Miodunka/Miodanka is a common noun meaning “lungwort” (the herb).
Commenters questioned the pattern of two descriptive bynames. However, the submitter’s previous submission also used this pattern, and the need to document the pattern was not mentioned in the return. Therefore, we will not penalize the submitter for using the same pattern. We note that one example of this pattern, Matheus przasnek piekut (1640-1), was found in Abramovicz et al., Slownik Historycznych Nazw Osobowych Bialostocczyzny, vol. 2, s.n. Pi(e)kut.
Janna von Guggenberg. Name and device. Gules, on a bend Or two domestic cats courant sable.
Submitted as Janna von Guggisberg, the Letter of Intent documented the place name Guggisberg as a modern form. Ælfwynn Leoflæde dohtor documented the following forms: Gugenberch (1282) and Guckhenberger (1590), found in Brechenmacher, s.n. Guggenberg(er); andGugansperk (1291) and gukansperg (1287), found in Socin. In addition, the spelling Guggenbergk is found in 16th century Switzerland in the FamilySearch Historical Records.
As the submitter requested “a late period form of that name that is relatively similar to the modern form if it can be identified.” We have changed the name to Guggenberg, which has been interpolated from the above forms. If the submitter prefers one of the attested spellings, or if she wants to change to the lingua Anglica form of Guggisberg, she can submit a request for reconsideration.
Janna is the submitter’s legal given name. It is also found as a given name from Prussia, dated to the early 1600s, in the FamilySearch Historical Records. Therefore, the submitter need not rely on the legal name allowance.
Jaspar van Doorne. Device. Per pale azure and argent, a chevron cotised between three mullets of eight points counterchanged.
Kenric æt Essexe. Device change. Per pale and chevronelly Or and sable.
This conflicts with the device of Gustaf Rikardsson: Per pale Or and sable, three chevronels counterchanged and in canton a hand issuant from a wing fesswise maintaining a sword reversed fesswise sable. However, the submitter has permission from Gustaf to conflict with his device.
The submitter’s old device, Per chevron argent and gules, three increscents counterchanged, is retained as a badge.
Roland de la Mar. Name change from Roland de Endeweard and device. Per chevron inverted argent and azure, a phoenix counterchanged.
The given name Roland is grandfathered to the submitter. It is also found in Amsterdam dated to 1592 in the FamilySearch Historical Records. Therefore the submitter need not rely upon the grandfather clause.
The submitter may wish to know that the byname de la Mar is also found in Amsterdam, dated to 1630.
The submitter’s previous name, Roland de Endeweard, is released.
Rosa Linda degli Uccelli. Name and device. Gules, on an owl affronty maintaining in its talons a rose slipped and leaved argent, a heart gules and in chief a cross bottony and a fleur-de-lys Or.
This name combines an Italian given name, a Swiss German given name, and an Italian byname. The combination of Italian and German is an acceptable lingual mix under Appendix C of SENA.
This device does not violate SENA A3D2a, “slot machine” armory, which means a design having more than two types of charge in a single group. Maintained charges are their own secondary group and thus the rose here is not in the same group as the cross and the fleur.
Rose Steel. Name and device. Per bend sinister gules and argent, a rose slipped and leaved argent and a domestic cat rampant sable, a bordure sable semy of acorns argent.
Nice 14th century English name!
Roseia Posey. Device. Argent, a lighthouse gules between three fountains.
This device does not conflict with the device of Máel Brigte ingenue Aimirgin: Argent, a brazier gules. There is a DC for the difference between a lighthouse and a brazier and another DC for adding the secondary fountains.
Sarah Gerlyn Easthope. Name and device. Per bend sinister azure and gules, two domestic cats sejant contourny Or each maintaining a heart argent, a bordure Or.
Please advise the submitter to draw the hearts larger so they are more easily identifiable.
Sarra atte Brouk. Badge. (Fieldless) A stick shuttle fesswise sable.
Simon Caspar Joder. Name change from Simon Caspar Joder von Steffisburg.
All elements in this name are grandfathered to the submitter.
The submitter’s previous name, Simon Caspar Joder von Steffisburg, is released.
Therion Sean Storie. Household name House of the Lemming (see RETURNS for badge).
Lemming is a lingua Anglica form of the Early Modern English Lemmar or Lemmus.
Ulrich Reinhart. Device. Argent, on a bend sinister between two ships azure three plates.
Una inghean Chonain. Device. Quarterly azure and gules, a lily of the valley slipped and leaved argent.
William of Wyndhaven. Name.
In commentary, Metron Ariston documented place names using the prototheme Wynd-, including Wyndriche/Wyndrishe, Wynderushe, Wyndesore Park, Nova Wyndsore, and Wyndeham, all found in Watts, s.nn. Windrush, Windsor Great Park, Old Windsor, and Wineham.
Eckhart Wurm. Device. Per pale embattled Or and gules, a wingless dunghill cock and a dragon respectant, a chief counterchanged.
This device is returned for violating SENA A2C1 which states that “Elements must be drawn in their period forms”. The issue here is the posture of the cock. While having one leg raised is considered a variant of close, all of the medieval images show the leg lower than horizontal. We are unaware of period depictions with a leg raised anywhere near as high as the one in this submission, with the elevated leg at a 45 degree angle above the horizontal.
Eva von Kölln. Device. Argent, surmounting a cross sable between in chief two oak leaves and in base two otters combattant vert, a heart gules.
This device is returned for redraw, for violating SENA A2C2 which states “Elements must be drawn to be identifiable.” Commenters had trouble identifying the otters, which were generally perceived as lizards.
Therion Sean Storie. Badge. Azure, on a saltire argent a lemming salient contourny sable, a bordure Or.
This device is returned for redraw, for violating SENA A2C2 which states “Elements must be drawn to be identifiable.” Commenters had trouble identifying the lemming and it was generally confused with a bear. It might be easier to recognize with a rounder body, a rounder face and shorter legs.
Filed under: Uncategorized Tagged: heraldry, LoAR
Greetings from Ryan Brigantia Principal Herald
The evolution of the Herald’s Office continues! With the Southern Region being so large we have added a new deputy to assist Baroness Treannah as the Southern deputy. Lord Joscelin le Esqurel will be joining the staff as the new Southwestern deputy. We will be determining a proper title for him and for now his email will be Herald.SouthWest@eastkingdom.org. Lord Joscelin will be responsible for reports and administration of all the Pennsylvanian and Delawarean groups.
-Ryan Brigantia Herald of the Kingdom of the East.
Filed under: Heraldry, Local Groups, Official Notices Tagged: heraldry, officers, Reporting
The leaves of books in the Middle Ages were made of parchment and vellum, created from animal skins in an expensive and time-consuming craft. It was so costly that scribes often recycled pages from earlier books, removing the ink to create a blank sheet. In the early Middle Ages, the ink was washed off and over time the shadow of former writing reappeared like a pentimento in a painting. In the later Middle Ages, they used pumice powder to scrape the ink away for good.
Volumes with the ghostly memories of previous texts still impressed in the pages are called palimpsests and researchers have been trying to read the vanished writing for centuries, either by careful sight-reading of whatever could be discerned or, starting in the 18th century, by the use of chemicals like tincture of gall which is high in tannic acid and badly damages the manuscript. Nowadays we have new options courtesy of spectral imaging technology.
Researchers Gunther Martin of the University of Bern and Jana Grusková of Comenius University in Bratislava enlisted the aid of Los Angeles-based organization the Early Manuscripts Electronic Library (EMEL) to examine a palimpsest in the Austrian National Library in Vienna using brand new multi-spectral technology. The text in question is the Codex Vindobonensis historicus gr. 73. The bound collection of 10th century ecclesiastical ordinances was acquired in the 16th century by Ogier de Busbecq, Holy Roman Emperor Ferdinand I’s envoy to Constantinople, an avid manuscript collector who would bequeath his collection to the imperial library in Vienna. The parchment pages of the codex came from two different 11th century manuscripts, with 11 pages of monastic rules and prayers added in the 13th century.
The presence of hidden text in the Codex Vindobonensis was discovered decades ago, but even under UV light the text was too faint to be read accurately. A few years ago the Austrian Science Fund (FWF) funded Martin and Grusková’s research into palimpsests, allowing them to look behind the visible script of the codex with EMEL’s multi-spectral technology. The pages were irradiated with lights of different wavelengths. Each type of light is absorbed into the parchment and ink to different degrees. Photographs capture the degrees of absorption and then computer software stitches the pictures together to create a detailed image of the hidden text.
With this system, Martin and Grusková were able to read pieces of the ancient Greek text underwriting the medieval and discovered a precious treasure: significant sections of a history of Rome’s 3rd century Gothic wars written by 3rd century Athenian historian P. Herennius Dexippus. His history, the Scythica (Dexippus called the Goths Scythians), was only known from very fragmentary quotes in much later books. These hefty passages shed a whole new light on the wars of the mid-3rd century.
Martin and Grusková published several of the passages into German in 2014. Now Oxford University’s Christopher Mallan and the University of Queensland’s Caillan Davenport have translated one of the fragments into English. It’s a splendid description of a battle at Thermopylae, probably the most famous battle site of the ancient world where in 480 B.C. King Leonidas’ 300 Spartan warriors and other Greek forces took their brave last stand against the far larger army of Persian King Xerxes.
I find it a tremendous bummer when news stories about this kind of discovery do not include the full text, even when it’s a bit dry or appeals only to the nerdiest history nerds, and in this case the lack of the complete quote in the press accounts is unforgivable because it’s pure awesome. All killer, no filler.
[The Goths invaded Thra]ce and Macedonia, and plundered the entire countryside therein. And then, making an assault upon the city of the Thessalonians, they tried to capture it as a close-packed band. But since those on the walls defended themselves valiantly, warding off the battle columns with the assistance of many hands, and as none of the Scythians’ hopes came to pass, they abandoned the siege. The prevailing opinion of the host was to make for Athens and Achaia, envisioning the gold and silver votive offerings and the many processional goods in the Greek sanctuaries: for they learned that the region was exceedingly wealthy in this respect. When the approach of the Scythians was reported to the Greeks, they gathered at Thermopylae, and set about blocking them from the narrow passes there. Some carried small spears, other axes, others wooden pikes overlaid with bronze and with iron tips, or whatever each man could arm himself with. And when they came together, they completely fortified the perimeter wall and devoted themselves to its protection with haste. And it seemed that the area was otherwise very secure, since the road which led to Greece beyond the Gates was narrow and impracticable on account of the harsh terrain. For the Euboean Sea, at its greatest extent, stretches up to the flat lands near the mountains and makes them most difficult to access on account of the mud, and adjacent to these extends Mt Oeta [, which...] on account of the closeness of the rocks, makes the place almost impassable for both infantry and cavalry. The generals elected for the entire war were proclaimed by the Greeks: first Marianus, who had been chosen previously by the emperor to govern Greece inside the Gates; in addition to him, Philostratus the Athenian, a man mighty in speech and thought; and also Dexippus, who was holding the chief office among the Boeotians for the fifth time. It seemed that the most prudent course was to encourage the men with a speech, and to recall the memory of their ancestors’ valour, so that they would undertake the entire war with greater heart and not give up either during an extended period of watch, or during an attempt on the wall, if such an attempt were to take place at some point in time. When the men had gathered together, Marianus, who had been given the responsibility of addressing them on account of his status, spoke as follows: ‘O Greeks, the occasion of our preservation for which you are assembled and the land in which you have been deployed are both truly fitting to evoke the memory of virtuous deeds. For your ancestors, fighting in this place in former times, did not let Greece down and deprive it of its free state, for they fought bravely in the Persian wars and in the conflict called the Lamian war, and when they put to flight Antiochos, the despot from Asia, at which time they were already working in partnership with the Romans who were then in command. So perhaps it may be good fortune, in accordance with the daimonion, that it has been allotted to the Greeks to do battle against the barbarians in this region (indeed your own principles of fighting the wars have turned out to be valid in the past). But you may take confidence in both your preparation for these events and the strength of the region — as a result of which, in previous attacks you seemed terrifying to the enemies. On account of these things future events do not appear to me not without hope, as to better…
It’s the content and style of the writing that identifies is as the work of Dexippus. The Scythica was known to include several siege narratives and long speeches (likely fictionalized) by military leaders. The details about the engagement at Thermopylae — the geography of the site, the weapons of the militia, the names and origins of the generals — indicate this passage was part of a far larger narrative history of the period. No other history written in Greek during the 3rd century goes into such detail about events in the reign of the emperor Gallienus. Only Scythica fits the bill.
There are other characteristics that mark it as Dexippus’ history. The author uses no Roman terms, titles or Latinisms. The focus is on regional figures — Dexippus the Boeotian and Philostratus the Athenian — working in tandem with Roman authorities — Marianus — and on the valor and achievements of Greeks. Even the Roman general makes a point of admiring the history of Greeks’ fight for freedom.
On these points Mallan and Davenport agree with Martin and Grusková, but there are significant areas of disagreement as well. For example, Martin and Grusková believe this battle happened during the Herulian invasions (267/8 A.D.), when the barbarian invaders defeated the Greeks at Thermopylae, but Mallan and Davenport make a strong case, in my opinion, for the battle taking place during an earlier Gothic invasion in around 262 A.D. The Herulian invasions were predominantly seaborne, but there’s no mention of naval engagements in any of the newly discovered fragments, nor do any other sources on the Herulian invasions mention a battle at Thermopylae, which, given its iconic status, is an unlikely oversight. Also Thessaloniki was successfully besieged by the Heruli. This passage very describes the Thessalonians defenders as victorious.
Another area of disagreement is the identity of the Roman general Marianus. Martin and Grusková identify him as dux Aurelius Marcianus, one of Gallienus’ generals who fought against the Goths in the late 260s and conspired to kill the emperor in 268. Mallan and Davenport posit that he is a previously unknown general named Marianus, a senator and proconsul of the Roman province of Achaia. (In keeping with his rejection of Latinisms, Dexippus’ reference to Achaia is a geographical region of Greece, not the Roman province. The Greeks called the Roman province “Greece inside the Gates.”) Since proconsuls had limited garrisons at their immediate disposal, he would have had to turn to local militias to help defend the pass.
The reference to the generals being “elected” suggests the defensive forces were assembled by a Greek political body, probably the Panhellenion which was the only body in the 3rd century that covered the regions of Greece represented by the three generals: Boeotia (Dexippus), Athens (Philostratus) and Marianus (Achaia). No other sources mention the Panhellenion appointing military leaders, but the invasion was an extraordinary circumstance which required a speedy military response.
Mallan and Davenport therefore propose a new reconstruction of the Gothic invasion of the early 260s. In late 261 or early 262, the Goths invaded Greece and laid waste to the provinces of Thrace and Macedonia. They besieged Thessaloniki, but it was ably defended by the residents so they moved on to the Roman province of Achaia. The Greeks, likely through the Panhellenion, quickly organized a defense of the province under three generals with Marianus, Roman proconsul of Achaia, at the lead. The Goths invaded Achaia by late 262, early 263, but were turned back by Marianus and Greek militia at the pass of Thermopylae. They didn’t leave empty-handed. On their way out they sacked the rich temples and sanctuaries of Greece before moving on to the Roman Asia province at the end of 263. The threat to Greece was over (for a few years).
Lady Silence de Cherbourg, Sir Maghnus de Cnoc an Iora, Master Urho Waltterinen, Maistir Brandubh O Donnghaille, and other attendees provided this information on the happenings at Gulf Wars XXV.
Many people from Æthelmearc sent their armor and camping gear with Master Alastar Scott McCrummin in his bakery truck, as has been the case for several years. Master Alastar and Maistir Brandubh drove the truck to Mississippi, with Maistres Myfanwy ferch Rhiannon following along behind by car. The trip began with what might be seen as a bad omen when the truck broke down near Cincinnati, delaying their arrival on site by most of a day. Fortunately the rental company was able to get them a replacement truck, and after unpacking and repacking, they were able to continue on their way. There had been a great deal of rain at the site in the week before Gulf Wars, and there was some concern that people would be setting up in the rain, but the skies had cleared by the time people began arriving on Sunday.
Most non-merchants from Æthelmearc arrived on Sunday and began setting up camp, including the kitchen. Æthelmearc’s Kingdom camp at Gulf Wars is located in an area at the bottom of a hill that is sheltered from the wind. Later this proved a good thing… Many in the camp were looking forward to the week’s meals as Mistress Illadore had prepared period dinners for each evening, sourcing from a single lesser-used cookbook (when possible) and providing a theme every night. Approximately 40 people from Æthelmearc ultimately attended Gulf Wars, though not all camped with the kingdom – some were merchants who camped at their booths, and a few people camped with friends from other Kingdoms.
On Monday their Royal Highnesses, Byron and Ariella, arrived in camp to much rejoicing. Much shopping was done by Gulf War attendees trying to get a jump on “the good stuff.” The ballista was assembled by a crew including Bryheres Gwendolyn the Graceful, Lady Elaine Fairchilde, and Sir Magariki Katsuichi no Koredono. Monday’s dinner, led by Mistress Illadore and prepared by many hands, was a Roman feast, based on the Apicius cookbook. Kitchen helpers worked for 3 hours to produce grilled chicken, a nut and custard pie, made-on-site flatbread, sauced peaches, grilled asparagus, and various period dips and spreads. Their Majesties, Tindal and Etain, who stayed in royalty cabin, joined the camp for the impressive spread.
The heavy weapons Town Battle was held on Tuesday, and consisted of two 45 min resurrection battles. One side held the fort while the other attacked, and then they switched sides for the second battle. There was a “river” that only the Chivalry could walk through; the rest of the fighters had to go over one of the bridges. During the battle many of the Chivalry in the “river” were fencing with spear against people on shore. The weather was “ridiculously hot;” Sir Maghnus reports that after only 15 minutes of fighting, fighters had to take a break for water.
Opening ceremonies saw our full set of Royals looking magnificent on their horses. Æthelmearc declared its allegiance with Trimaris, against Ansteorra. Throughout the War, sides were mostly even, and when they looked likely to become unbalanced, some groups changed sides to make the fighting more fun.
At last year’s Gulf Wars, it was noted that Sir Maghnus loves his ballista so much, he would sleep with it if he could. In recognition of this, THLady Pippi Ulfsdottir decided to aid this desire by creating a (functional) plushie ballista for Sir Maghnus to sleep with. Mistress Illadore and Lady Beatrix Krieger fought as a team in the Diamond Tourney, which pairs a heavy and a rapier fighter. Lady Beatrix in particular fought well and with great courtesy. Tuesday evening’s feast was 14th c Dutch with grilled sausages, split pea soup, rice with almond milk, apples in port, and berry pie as the daily pie.
The Rapier Field Battle was held on Wednesday. The Trimarian side, which included Æthelmearc fought well, but was victorious in only one of the three battles. Prince Byron and Princess Ariella were part of the Æthelmearc rapier unit, in their first rapier battle since authorizing.
That day’s heavy War Point was the Ravine Battle, also known as the “Everyone gets shot by Archers” battle. It was a timed resurrection battle with three flags, ownership of the flags being checked at intervals. It included combat archery but not siege and is famed for its sea of arrows. The Trimarian side won this battle by a small margin. There was a total 90 minutes with points determined by flag control, and Trimaris won by only a minute and a half of possession time.
Mistress Illadore ran a Ladies’ rapier tournament and received many words of appreciation from the entrants for her work. Don Anias and THL Marek fought in the Meridian Rose Tourney for Countess Elena D’Artois and Countess Anna Leigh, respectively.
Master Urho, Master Tofi Kerthjalfadsson, and THLady Pippi Ulfsdottir all represented Æthelmearc on the archery range for the populace War Point shoot, with THL Pippi amusing some people by shooting with her 7-month-old son Anders in a pack on her back. Master Urho noted that there was more space than in past years, with a clout shoot that was almost 100 yards vs. 75-80 yards at previous Gulf Wars. The grand invitational archery competition was canceled due to the weather.
Dinner that night was described as Portuguese sloppy joes, from MS I.E. 33 – Livro de Cozinha da Infant’a D. Maria, a 16th century Portuguese cookbook likely written for the Portuguese Infanta Maria of Guimarães (granddaughter of King Manuel I of Portugal) who traveled to Italy when she married the Duke of Parma in November 1565. The nightly pie was pear with whipped cream. Midnight Madness was not as crowded as expected, despite the weather holding up.
Thursday morning the Allied Champions tournaments were held. Don Anias and Lady Ciara Eilis were Æthelmearc’s champions for rapier, while THLady Beatrix Krieger was our champion for heavy weapons. There was also a champion’s tournament called the “Pokemon” Tourney. Each Kingdom designated a set of champions, and then each side send out one or more champions, to which the other side responded with their own champions. This tournament ended up running over into the time frame for the field battles, of which five were planned. The ballista came out for the first field battle and did pretty well. At one point it was almost overrun by the other side but Sir Maghnus grabbed his spear and helped fight the attackers off.
The second field battle did not include siege engines. By the third field battle, the marshals were concerned about the weather so it started quickly. Trimaris won and then it began to rain heavily, resulting in cancellation of the remaining field battles. The rapier woods battle was also cancelled at that point.
That evening’s dinner was going to be steak, potatoes, and of course another pie, but the weather had other plans. As Don Anias grilled steaks and THL Marek stirred potatoes, the storm hit with its full force. Marek soldiered on with his cooking duty while holding the kitchen fly poles. The entire camp banded together to hold onto tent poles to successfully keep the main pavilion and personal tents upright as the rain quickly doused the grill fire, leaving only a few of the steaks cooked properly. All of the flies went down in the wind, many of them suffering damage. Fortunately, every personal tent weathered the storm, though several had water inside. Several people, including Baron Robert O’Connor, trenched around the camp to keep as much water out as possible. The Kingdom camp’s location downhill from the main areas of the site worked both for it (by reducing the wind) and against it (by increasing the flow of water through the camp). Some folks evacuated site for safety, with the 7-month-old infant and his mother being the first out, while others stayed behind to keep an eye on the camp.
Pies by Mistress Illadore. Photos by Lady Silence.
Those who stayed were rewarded with the pieces of steak that had been prepared prior to the downpour, along with apple pies that were dubbed “Tornado Pie” and declared legendary. The pie had finished cooking and had been kept safe in the oven, even after the kitchen tent was brought down by the winds. Other Kingdoms were not so fortunate; in particular, Meridies and Trimaris’ camps, which were in the most open sections of the site, were flattened by the wind and driving rain. Many gentles took shelter in the main hall or the Green Dragon Tavern. There are differing accounts as to whether there was an actual tornado on site, but either way, much devastation ensued. As we always do, Scadians banded together to provide assistance to those in need. There were few serious injuries; one possible concussion and a broken collarbone, but no worse has been reported. Master Alastar’s bakery operated throughout the event, though their four-ft deep sump filled up in only 20 minutes. Maistir Brandubh says the bakery tent held up well despite having some of its 3′ stakes pulled up during the wind, and ended up giving shelter to other merchants whose tents went down.
The rain and wind died down late Thursday night.
Although Friday dawned bright and sunny, all official activities were canceled as many camps were in ruins after the Thursday night’s storm. Even those whose tents came through the storm ok still had a lot of wet gear.
Many in the Æthelmearc camp had started packing up to go when Their Majesties came down to conduct their final court of the war. THL Marek was first given a Writ to contemplate elevation to the Order of Chivalry, to give his reply at Ice Dragon. Next, Don Anias was summoned and given a Writ to join the Masters of Defense. He shall also play the prize and be elevated at Ice Dragon. In addition, Baron Robert O’Connor (aka Bob the Herald) was given one of the new awards intended to recognize specific acts of service, a Golden Escarbuncle, for his service during Gulf Wars, transporting people and equipment and providing assistance to all during a very trying event.
Gulf War ended too early and left many with a feeling of loss, being denied those last couple of days of the event, particularly after the amount of travel our Kingdom denizens must undertake to get there. Alas, Mother Nature offers no do-overs, but we hope that next year’s Gulf Wars will be better. In the mean time, here are more photos from the “Gulfnado,” which will no doubt be the source of stories for many years to come.Click to view slideshow.
Thank you to Lady Silence de Cherbourg, Master Urho Waltterinen, Lady Elaine Fairchild, Mistress Elashava bas Riva, and Duchess Siobhán inghean uí Liatháin for their wonderful photos.
Just a quick reminder that the 2nd Curia of Their Majesties Tindal and Etain will take place Saturday, April 2, 2016, at Ice Dragon. Curia will follow immediately after morning Court and the specific location of Curia within the site itself will be announced at the end of Court.
If you have any questions regarding Curia, please feel free to contact the Kingdom Seneschal, Duke Christopher, at firstname.lastname@example.org.
The iron body of the Confederate submarine H. L. Hunley has been revealed after 137 years in the salt water of Charleston Harbor, 13 years in a tank of cold fresh water and two years off and on in a sodium hydroxide solution. Conservators at Clemson University’s Warren Lasch Conservation Center have been working to preserve the delicate vessel since it was raised in 2000. The long water bath was necessary to slowly stabilize the iron which would have cracked and corroded if exposed to oxygen after so many years underwater. The weak sodium hydroxide solution (99% water, 1% NaOH) helped leech salt out of the iron and soften the concretion layer.
A combination of rust, sand, rock and assorted ocean debris, concretions are hard as concrete. The concretion layer that coated the entire submarine, inside and out, was so thick, the original iron has been obscured since the Hunley was first raised from the harbor floor. Some areas of concretion were harder than the iron underneath them. In order for the sodium hydroxide treatment to leech the corrosive salt out of the iron skin effectively, the concretion had to be removed first. In May of 2014, the submarine was immersed in sodium hydroxide for the first time. That initial three-month soak was intended to loosen the concretions.
When the tank was drained of the solution after three months, conservators had three days to chip away at the concretion before the tank was filled again. In a cramped workspace that was a hazardous caustic environment requiring the use of face masks, goggles and specialized protective suits, conservators used small drills, chisels and hammers to remove the rock-like incrustation. It was painstaking, dangerous work. One false move with a hand tool and the iron skin of the submarine could be irreparably damaged.
After three days of assiduous labor, the tank was refilled with the sodium hydroxide solution for another three months, then drained for chipping and on and on like that for more than a year. At the end of the process, conservators removed 1,200 pounds of concretion, about the weight of a grand piano, just from the exterior of the submarine. The Hunley‘s iron skin was seen by human eyes for the first time since the Civil War.
Conservators had hoped that removing the concretion would reveal damage that might explain what happened to the H. L. Hunley on the night of February 17th, 1864. We know that its mission to sink the USS Housatonic was successful. The submarine drove a spar-mounted torpedo into the starboard stern of the Union warship and its payload of 135 pounds of gunpowder exploded, blowing a large hole in the side of the enemy vessel. While the hand-cranked submarine with its crew of eight men was very close to the explosion — the spar was only 16 feet long — the Hunley and its crew survived. They signalled the success of the mission with a blue magnesium light, as previously arranged, and then were never heard from or seen again.
They did find some clues on the skin of the submarine. Archaeologists found damage to the bolts and clamps of the boom that held the spar in place. They also discovered a crack in the bow where the spar was mounted. The impact from the explosion or the ramming appears to have torn out a clamp and cracked the Hunley‘s bow cap.
That’s not a smoking gun, however. Archaeologists were looking for evidence of bullet damage. Records indicate the submarine was seen before the attack and the Union ship fired on it. Bullet holes would have confirmed this report and would have explained why the vessel was too damaged to return to safety. One large hole was found, but it was the result of years of scouring by sand and salt before the submarine was covered by the sand on the ocean floor and kept relatively intact.
Conservators have now moved their attentions to the interior of the submarine. It too is covered in concretions, and this workspace is even more cramped. The crew compartment is less than four feet in diameter. It’s unlikely they’ll find one key piece of evidence that explains the fate of the Hunley in the interior. This part of the project is focused on what happened in the claustrophobic nightmare of that tiny iron cigar in the last moments of the crewmen’s lives. Conservators hope to find artifacts — personal effects, uniform buttons, tools — that will help them piece together what happened to the Hunley.
Anytime an artifact is found, the scientists will have to stop scraping to map its location on a 3-D grid.
Scafuri said that all these clues are probably all scientists will have to piece together the final moments of the first attack sub. Every piece of evidence suggests one thing and eventually that research will point to an answer for the biggest lingering question: why didn’t the Hunley return after sinking the Housatonic.
Between work on the interior, conservators are busy restoring pieces of the sub that were removed — rubber gaskets and glass deadlights, for instance. All those pieces will be replaced when the caustics treatment ends and the sub is ready for dry display.
It’s going to be a few years before the submarine is ready for permanent display in the open air. The sodium hydroxide soaks will continue for at least five years and possibly as many as seven more years. The solution must be replaced every three to four months even when all the concretion has been removed because it will get too salty to be effective.
There are some excellent shots in this video by the Friends of the Hunley of the Hunley before and after the concretions were removed. It looks amazing.
Nestled in the northern foothills of Mount Olympus, the ancient town of Dion was perfectly situated for sacrifices to the gods. It was a lot easier to carry animals to the base of the mountain than to climb its nearly 10,000-foot heights. The first known altar to Zeus Olympios was built in Dion in the 10th century B.C.
The small town grew into a prominent city under the Macedonians who revered it as the center of their religion. In the late 5th century B.C., Macedonian King Archelaus I founded the Olympian Games there, a yearly festival of the arts and athletic contents in honor of Olympian Zeus and his daughters the Muses. Top athletes and artists flocked to the festival from all over Greece. The kings of Macedon made sacrifices at the altar to ring in every new year (the end of September in the Macedonian calendar), celebrated their military victories and invoked the protection and support of Olympian Zeus before setting out on new adventures. Philip II of Macedon celebrated his successful siege and destruction of Olynthos in 348 B.C. at Dion. His son Alexander the Great sacrificed to the gods there before taking his conquering armies East. He also imported the worship of Isis from Egypt to Dion.
The strong association with Alexander the Great served Dion well under the Roman emperors. Octavian founded a colony there in 31 B.C., and later emperors in the 2nd and 3rd centuries lent it their support. In the waning days of the empire, Dion was still prominent as the seat of a bishopric. Bishops of Dion took part in important church synods (Serdike in 343 A.D. and Ephesos in 431 A.D.), but at the end of the 5th century the city fell to the armies of Ostrogoth King Theodoric the Great and it never recovered. It gradually lost importance and population due to a series of earthquakes and floods from the river Vaphyras. By the 10th century it was an abandoned ruin.
The ruins of Dion were identified as the ancient sacred city of the Macedonians in 1806, but organized excavations didn’t begin until 1928. There was a 30-year lapse in archaeological exploration between 1931 and 1960. Since 1973, Dr. Dimitrios Pandermalis has led excavations at the site, returning every summer with a team of archaeologists, students and volunteers from the modern village to brave the oppressive heat and humidity. They have expanded the excavation area considerably to include the ancient sanctuaries, graveyards, tumulus burials and the town center. Spared development, reconstruction and the potentially destructive fumbling of early archaeologists, Dion has proved an archaeological treasure trove. Thanks to its wetlands environment at the base of the mountain between two rivers, Dion’s remains have been well preserved by water and mud layers.
All that mud and water is no picnic for the archaeological team to have to dig through, but it’s been worth it. Excavators have unearthed the remains of sanctuaries dedicated to Olympian Zeus, Zeus Hypsistos, Demeter, Isis and Asclepius. There’s a Hellenistic theater, a Great Baths complex, a partially preserved 2nd century A.D. Roman theater, a Greek and Roman wall, a 5th century Christian basilica and several Roman-era villas, most notably the Villa of Dionysus discovered in 1987.
The Villa of Dionysus was built in the second half of the 2nd century as a complex with an elegant home, a shrine to Dionysus, a bathhouse, a library and storefronts. Archaeologists discovered a great many ancient artworks: sculptures, decorative elements from expensive furniture, and mosaics of exceptional quality. Among the most prized sculptures is a group of four seated men representing Epicurean philosophers, three students and one teacher identifiable by his bearded adulthood and the open scroll he holds. The heads of the students were recarved in the 3rd century AD to give them portrait features, possibly to make them look like members of the family who lived in the house at the time. Other artworks found in the house include a hauntingly beautiful portrait of Agrippina the Elder, mother of Nero, and a glorious 100 square meter floor mosaic in the banquet hall depicting the Epiphany of Dionysus.
The mosaic is one of the finest of its kind and is believed to be a copy of a lost Hellenistic painting. The villa being in ruins, there has been great concern about preserving the mosaic. The authorities built a custom addition to the museum to house the mosaic in ideal conservation conditions, but money was hard to come by. That changed last year when the Onassis Foundation funded the removal of the mosaic from the villa to the new building. Here’s a behind the scenes view of the detachment, transportation and conservation of the Epiphany of Dionysus mosaic:
Now Dion is paying the Onassis Foundation back in the most wonderful way: by loaning the Onassis Cultural Center in New York City more than 90 artifacts — mosaics, sculptures, jewelry, medical implements, terracotta vessels, glassware — dating from the 10th century B.C. to the 4th century A.D. Many of these pieces are in the US for the first time, and they are absolutely stunning. There’s the central panel of the Dionysus mosaic and several of the masques around it, the sculptures of the four philosophers, that beautiful portrait of Agrippina, an Iron Age spiral brooch with textile fragments still attached to it, statues and stele of the gods. There are utilitarian artifacts as well, including a copper oil lamp decorated with the head of a panther and a 1st century B.C. copper speculum, which looks remarkably similar to the modern version.
The Gods and Mortals at Olympus exhibition opened March 24th and runs through June 18th. They’ve really gone all out to put together a spectacular and content-rich show with cross-generational appeal. You can amble through the artifacts of Dion conversing with philosopher Simon Critchley, or lure your museum-resistant friends to the Museum Hacks series “for people who don’t like museums.” There’s even a videogame where children (and grown-ups!) can become the archaeologist excavating Dion. Entrance to the exhibition is free.
Download the registration forms, fill them out and bring them with you. It’s easy this year!
Make sure to check out all the sections of the Pent website, including the schedule.
We are looking forward to seeing all the wonderful entries!
~Tiercelin & Julianna
There are 49 replicas and 19 original historic cannons at the Fort William Henry Museum in the Adirondack town of Lake George, New York. The fort is itself a replica, built on the site of the original Fort William Henry, a British outpost from the Seven Years’ War. It was besieged by the French and their Indian allies in 1757 and was compelled to surrender when reinforcements were not forthcoming. Some of the surrendering prisoners were killed by Indian warriors disgruntled by the French prohibition that kept them from looting the defeated fort. It was widely publicized as a massacre at the time and figures as high as 1,500 slaughtered were bandied about in the immediate aftermath. The real number, modern historians believe, is more like 200 killed and wounded, about 7.5% of the prisoners. The siege of Fort William Henry played a central role in James Fenimore Cooper’s The Last of the Mohicans.
Because of the popularity of the book, the famous massacre, the short but bloody history of the fort and its ideal location on a lake in the Adirondacks, the site of Fort William Henry became a tourist mecca. To take advantage of the historical tourism market, the replica was constructed in 1954 as full-scale copy of the original. To lend it authenticity, the owners of the attraction wanted some genuine Colonial artillery. Among the 19 antiques were nine cannons which had been salvaged a few years earlier in the Florida Keys.
Newspapers at the time of the sale noted the pieces were bought from treasure hunter Art McKee who had raised them from a wreck off the coast of Looe Key, a key named after the British warship HMS Looe which hit a reef in the area and sank in 1744. Named after the town of Looe, Cornwall, the ship only saw two years of service before its demise. The Looe was dispatched to protect the south Atlantic coast of America from Spanish incursions and interfere with Spanish shipping during a conflict that would later be blessed with one of the greatest names of all time: the War of Jenkins’ Ear. On February 5th, 1744, the Looe struck a reef and was grounded. The captured Spanish merchant ship following her suffered the same fate. The crews were evacuated, all food stores that could be salvaged were salvaged and then both ships were burned.
In 1951, the Smithsonian Institution sent an expedition to Looe Key to explore a reported shipwreck from which a few coins had been retrieved. At the time, not even the precise date of the ship was known and certainly not the name. The fact that the key was named after a British warship that had gone down off its coast had been lost in the mists of time. Metal, glass and porcelain artifacts had survived the conflagration. The team recovered large numbers of artifacts — among them iron ballast, shot, bolts, nails, rum bottles, Chinese porcelain fragments, earthenware, pipes, animal bones from the pickled meat stores, the eyepiece of a navigation instrument and one 2,000-pound cannon barrel.
They didn’t find a smoking gun, so to speak, that would immediately identify the ship, but they did find some clues. One of the 6-pound shots had an arrow on it, a mark indicating it was the property of the British royal family. The barrel was marked with a crowned rose, the insignia of Tudor and Stuart monarchs which was no longer used after Queen Anne’s death 1714. The lifespan of an iron cannon on a ship was no more than 40 years, which gave researchers an outside date for the ship of 1754. Inside the barrel the team found the remains of a wooden tompion which indicated the ship had not gone down in battle but rather by accident or misadventure.
Armed with those few clues, Smithsonian curator of naval history and team leader Mendel L. Peterson hit the archives. Looking through the ship casualty lists for a British warship that sank between 1720 and 1750, was armed with both six and 12-pound cannons and was lost by accident, Peterson found an entry in Clowes The Royal Navy for “1743 Looe 44 guns, Capt. Ashby Utting, Lost in America.” He then confirmed that among those 44 guns were six and 12-pounders. Suddenly the name of the key made a new kind of sense, and it helped confirm that Peterson had identified the wreck.
Looe Key is now part of Florida Keys National Marine Sanctuary so treasure hunters couldn’t make a meal of its underwater historic sites today, but back then it was unprotected. Art McKee followed in the Smithsonian’s footsteps. Once they were gone, he pulled up the heavy artillery they had left behind and sold it to the Fort William Henry Museum. At the time they were still marked with the crowned rose, a fact noted in articles about the acquisition. Exposure to more than 60 Adirondack winters has claimed the insignia, unfortunately, and in 1967 the fort’s records were destroyed in an arson fire so the cannons’ origins were lost.
In 2014, researchers began to measure all of the fort’s artillery, replica and original. Discovering the source of the nine cannons bought in 1954 was part of the project, and now the research has paid off.
The fort’s researchers discovered the caliber of the nine cannons matched that of the armament known to have been aboard HMS Looe when it sank. That fact, and McKee’s role in the guns’ salvage, leads researchers to believe the Looe was the source, [maritime archaeologist Joseph W.] Zarzynski said.
“If Art McKee sold them, then they are most certainly from HMS Looe,” said Charles Lawson, an archaeologist for Biscayne National Park who has studied 18th-century wreck sites in Florida’s waters.
The fort wants to restore those historic cannons which are heavily weathered and rusted now, but it’s going to take a major fundraising push. Restoring just one of them may cost as much as $30,000.
Here’s a cool 20-minute documentary about the investigation into the origins of the nine cannons.
Oracle bones are inscribed ox shoulder blades or the flat underside of turtle shells that were used for divination in Shang dynasty China (ca. 1600-1046 B.C.). The Shang was China’s second dynasty and the oracle bones are the oldest surviving texts in the Chinese language. They are the main source historians have about Shang China and Bronze Age China in general, but were only recognized as the immense cultural patrimony they are in 1899. Antiquarian Wang Yirong found some oracle bones being sold in Peking as “dragon bones” which were ground into powder and used in traditional medicine to staunch a bleeding wound. He recognized they were engraved with ancient script. The oracle bones were dated to the Shang dynasty when the origin of the ones floating around in markets was discovered near the village of Xiaotun in Henan Province, the Shang capital.
The late 19th, early 20th century was a turbulent time in China. Cultural patrimony issues were not governmental priorities and foreign scholars and collectors stepped into the void. One of them was Lionel Charles Hopkins, brother and biographer of the famous poet Gerard Manley Hopkins, a diplomat who went to China in 1874 and remained there until his retirement in 1908. He collected almost 900 oracle bones which he studied over the four decades of his retirement. He died in 1952 at the age of 98. Hopkins left his oracle bone collection to Cambridge University.
Hopkins broke a lot of ground in the study of oracle bones, but he too was fooled by fakes. There were so many of them that for a couple of decades after their discovery, the authenticity of all of them were in question. It was only when excavations began in the late 1920s at Xiaotun that large numbers of oracle bones were confirmed to be part of the Shang royal archive. About 200,000 thousand bone fragments are known today, a quarter of which are inscribed.
Diviners used the oracle bones to invoke the ancestors of the Shang dynasty royal family who were believed to know the future. They were also thought to have influence on future events. When a Shang royal wanted to know the outcome of a war, the success of a harvest, an impending natural disaster or anything else, they turned to diviners and their oracle bones. On the reverse of the bones diviners carved out divots known as divination pits. The pits were exposed to fire, creating vertical cracks with a short perpendicular crack halfway down on the obverse of the bone. The cracks were interpreted as answers to the diviners’ questions and those questions were engraved next to the crack. The divination served double duty: predicting the future and securing the benign intervention of the ancestors. The inscriptions are invaluable records of Shang society, and can be of international import. One of the oracle bones in the Hopkins Collection is the oldest dated record of a lunar eclipse known in the world.
The texture of the bones and writing is important to historians, as are the divination pits and cracks. Within a couple of years of Wang Yirong’s discovery, rubbings of the inscriptions were published in books and suddenly collectors were clamouring to buy oracle bones. As usually happens when there’s an overwhelming demand for a finite material, unscrupulous dealers quickly produced as many forgeries as possible. Many oracle bones have both original engravings, pits and cracks, and forged text added to make a simple bone look fancier. The more text, the more expensive the artifact. Sorting out the genuine from the fraud requires careful examination of the bones, their inscriptions and cracks.
Since the earliest discoveries, the surface of oracle bones were captured with rubbings. In 1982, oracle bone expert Mme. Qi Wenxin visited the UK to make rubbings of all the bones in public and private collections. Cambridge’s Hopkins Collection was one of her stops. These rubbings are not the kind you made on gravestones in 5th grade art class with a crayon and tracing paper. Mme. Qi’s tools were a brush made of fine human hair, the finest quality Chinese black ink, very thin tissue-like paper, a piece of silk wrapped around natural cotton and a water infused with the herb baiji (Bletilla Rhizome). Baiji is used in traditional Chinese medicine to stop bleeding and reduce swelling, but infused in the rubbing water, it helps the paper adhere to the bone. If plain water was used, the paper would come off during rubbing.
The side of the bone not being rubbed was fixed to the table with putty. Then the paper was placed on top and brushed with the baiji solution. Mme. Qi tapped the wet paper into the engraving by lightly hitting it with the human hair brush until every letter of the inscription showed through the paper. When the paper was dry, the silk-wrapped cotton was dabbed into the sticky ink and stippled on with care not to cake it on too thickly. Once the ink layer dried, another was applied. The process was repeated until the inscription becomes clear, a white negative against the inky black background. You can see Mme. Qi at work in this video.
Now the Cambridge University Library has taken the first step in establishing a new kind of archive. It has scanned the first of the 614 oracle bones in its collection in high resolution 3D. As far as we know, it’s the first oracle bone in the world to be 3D scanned.
The image brings into sharp focus not only the finely incised questions on the obverse of the bone, but also the divination pits engraved on the reverse and the scorch marks caused by the application of heat to create the cracks (which were interpreted as the answers from the spirit world). These can be seen more clearly than by looking at the actual object itself, and without the risk of damage by handling the original bone.
Once scanned, a precise replica of the bone was 3D printed so it can handled and examined by students and researchers who would otherwise not be allowed access to the originals for conservation purposes. If the 3D scanning trend catches on, there’s another exciting possibility: that more of the hundreds of thousands of fragments may be pieced back together thanks to computer matching.
Historic Environment Scotland has released the first images of the objects found inside the Carolingian pot that was part of a Viking hoard discovered in Dumfries and Galloway, Scotland, in September of 2014. Archaeologists took the unusual step of CT scanning the rare silver alloy vessel shortly after it was unearthed because they were concerned it was too fragile to just take the lid off and see what it contained. The scan identified at least one Anglo-Saxon openwork brooch, four other silver brooches, some gold ingots and ivory beads coated in gold, each wrapped in an organic material.
Armed with a CT roadmap of the vessel’s contents, conservators painstakingly excavated the interior, taking care to preserve every fragment of organic material they could to prevent it from crumbling into dust when exposed to the air. In addition to the ingot and silver-encased ivory beads detected on the scan, they found a total of six Anglo-Saxon silver brooches, one penannular brooch likely made in Ireland, a richly decorated gold pendant which may have held holy relics, several mysterious gold and crystal objects and, breaking the precious metals trend, two large seeds of nuts. The nuts have yet to be identified, but obviously they came from a very special plant that probably wasn’t indigenous to the area.
The hoard was found in two layers: a top one 24 inches under the surface with silver armbands, ingots, a gold bird pin and a silver and enamel cross wrapped in a silver chain, and underneath it the pot. It’s the largest Carolingian pot ever discovered and there are only six known. Scholars believe it may have had been used for important Christian ceremonies and was raided during a Viking incursion on a monastery or church in Germany or France. By the time it was buried, it could well have been a family heirloom.
The levels appear to have been arranged according to the their importance. The pieces on top were valuable, but most of them were the kind of thing that was cut up for currency, ie, hacksilver before the hacking. The pot, on the other hand, and its contents, must have been deemed of greater significance to their owner. Each object was wrapped in a textile and placed inside the vessel which was topped with its lid and then it too was wrapped with cloth or leather. Textile experts studied the fragments from inside the pot and identified several of them as silk samite, a super deluxe fabric woven in Byzantium, North Africa, or southern Spain. This fabric was exclusively the province of monarchs, the highest ecclesiastical officials and the remains of venerated saints buried in churches.
The style of the artifacts in the hoard date them to the 9th and 10th centuries, which means the hoard was likely buried in the 10th century, a period when the Vikings in the British Isles had suffered setbacks after more than a century of successful raids starting in the 790s. In the 9th century there was extensive Norse settlement of Scotland and the their military victories continued even as the country unified under Kenneth MacAlpin, King of the Picts and first King of Scotland (Alba). Several of his successors — Constantine I, Indulf — died fighting the Norse. Then there were the English to deal with. In 937 King of Scotland Constantine II allied with his once and future enemy Olaf Guthfrithson, the Viking king of Dublin, to defeat the invading army of Æthelstan, King of England. They lost. It was a one-battle alliance anyway, and the conflict between the Scots and Norse continued throughout the century.
Galloway itself had a strong Viking presence from the 9th until the 11th century. It’s in southwest Scotland, with Norse-heavy Cumbria just to the south and the Norse-dominated Irish Sea to the west. The people who lived there in the 10th century were mostly Vikings in language and culture. The person who buried the hoard was likely trying to protect his savings rather than burying it as a religious offering. That’s why he was so very careful about how the valuables were buried. He planned to recover them but never did.
The ultimate fate of the hoard has yet to be determined. Its market value will be assessed by Scotland’s Treasure Trove Unit and the hoard will be offered to Scottish museums. Whichever museum wants it will have to raise the value of the hoard as a reward which will be split between the metal detectorist who discovered it, Derek McLennan, and the landowner, the Church of Scotland. The value is sure to be very high. No other Viking hoard has been found with such a wide variety of objects — gold, silver, glass, enamel, textiles — from such a wide geographic area. Preliminary estimates put it at between £500,000 and £1 million, closer to the latter than the former.
It’s been a year since the mortal remains of King Richard III were reinterred in Leicester Cathedral. Archaeologists from the University of Leicester are ushering in the anniversary with a 3D reconstruction of Richard III’s grave as it was when it was first fully excavated in September of 2012.
Photographs from the excavation were run through Agisoft PhotoScan software which processes images photogrammetrically to generate a 3D digital model. The software looks for shared elements in overlapping photographs which are then plotted onto a 3D point cloud. The cloud is converted into a polygon mesh and the photos applied to it so the topographic layout has a photorealistic surface.
Mathew Morris, Site Supervisor for University of Leicester Archaeological Services was the man who first discovered the remains of King Richard III on the first day of the dig under the Leicester car park. He said: “Photographs and drawings of the grave, whilst dramatic, are only two-dimensional and do not always best show nuances in spatial relationships that a three-dimensional model can.
“Photogrammetry provides a fantastic analytical tool that allows us to examine the grave from angles that would have been physically difficult or impossible to achieve during the excavation, and gives us the ability to continue to examine the king’s grave long after the excavation has finished.”
It also artfully conveys how shoddy a grave it was. It’s too short for one, which is particularly half-assed when you consider that Richard’s spinal curvature made him shorter than average. (Without the scoliosis, he would have been 5’8″ tall, about average height for the time. The S-curve in his spine knocked a couple of inches off his height.) The sides of the grave were not dug straight, but with sloping sides. The bottom of the grave was uneven. You can see on the 3D model just how restricted the space was, how the body leans towards one side like when you’re way too old to have to sleep in a twin bed and the head is propped up uncomfortably.
The interactive model has been uploaded to the 3D sharing platform Sketchfab. There are five points of note marked out — his skull with its war wounds, his curved spine, his missing feet, lost when a pit intersecting with the unknown grave was dug centuries later, the titled head indicating the grave was too short for the body and the sloped sides emphasizing how carelessly the grave was dug. There’s very little content, but when you click on one of the numbers, the view shifts in a neat way. It’s fascinating to see the grave from every possible angle, as if you were lying underneath it, above it, inside it or next to it.
The Coronation of Byron and Ariella is less than three weeks away! Mistress Arianna of Wynthrope interviewed the Prince and Princess to help you learn more about them and their plans for their upcoming reign.
Your Highnesses, please tell us something about your SCA careers and your personas.
We joined the SCA in 1996, shortly after moving to Pittsburgh to pursue our careers. We both started immediately into fighting, but Byron also had an interest in period board games (for which he received his AoA), and Ariella tried multiple arts like candle-making, furniture-making, and clothing. We took a step back from the SCA for 6 years when our children were born, but we never stopped going to events. During that time, we also began plans for our dream house, in which we now live. When our youngest child was 2 years old, we began to participate more heavily, and in 2007, we were elected as the 6th Baron and Baroness of the Debatable Lands. We held that position for 5 Pennsic Wars, after which we both began to focus more on our heavy weapon skills. Byron was knighted in 2012, and two years later, Ariella became the second female knight of Æthelmearc. We have 3 children: Joshua (age 17), Leah (15), and Ian (13). While they do not share their parents’ passion for medieval recreation, we enjoy having them with us at events.
Throughout our time in the SCA, we have been focused on the high middle ages in Western Europe. Specifically, we live along the Southern coast of England in the midst of the Hundred Years War. After successful tours in France, we returned home with the spoils and asked young King Richard for permission to crenellate our castle to defend against French pirates. It is now 1385, our castle is complete, and we remain at home telling our children tales of our exploits in the Aquitaine.
We’ve heard that you’re having a special Coronation ceremony written. How is it going to differ from the usual Æthelmearc Coronation?
Our coronation ceremony is based on the Liber Regalis, which details the ceremony for coronations in high medieval England. With the help of Master Steffan ap Kennydd of the East Kingdom, we are specifically trying to re-create the coronation of Richard II (1377). There are several important ways that SCA coronations must differ from medieval coronations. The most obvious is the religious expression; medieval coronations are extensively religious, but that needs to be avoided in the SCA. We have tried to substitute SCA icons and personnel for religious icons and personnel as best we can. The second major difference is the length of ceremony. The original service lasted about a week – we are trying to keep Morning Court under 2 hours. The third, and perhaps most interesting difference is the focus on humility. Medieval kings had known their entire lives that they were likely to ascend the throne, and they had great potential for abuse of power. Medieval ceremony focuses strongly on the virtue of humility, to remind kings that They need to focus on the needs of Their populace. In the SCA, we tend to focus on creating a ceremony that will imbue the new royalty with an aura of Majesty. In this aspect, we are attempting to recreate the medieval feel as closely as possible. We hope that our ceremony will be memorable for everyone who attends. The event (autocratted by THLord Thomas LeStrange and the Shire of Gryffyn’s Keep) will include heavy fighting, fencing, thrown weapons, an arts and science display, and a delicious feast, so we hope that every gentle in the Kingdom will find something to enjoy that day.
Who are the members of your staff, and what do they do?
We are blessed with many able staff members who are making the reign so much easier for us. Our staff is led by Countess Genevieve du vent Argent. Our head retainer position is shared by THL Elss of Augsburg and Master Alaric MacConnal. The Queen’s Guard is led by Doña Fredeburg von Katzenellenbogen. Brehyres Gwendolyn the Graceful will be our Royal Herald. Mistress Chrestienne de Waterdene is coordinating our wardrobe. Mistress Arianna of Wynthrope is coordinating the Queen’s favors, and Countess Alexandra of Clan Donald is coordinating our gift baskets. We welcome any gentle who would volunteer their services to our reign, especially those who do not know us well, as we would like to meet as many members of Our populace as possible. More information is available on Their Highnesses’ website.
You’re going to the SCA 50 Year event in June – do you have any special plans for that event?
Our reign is special in that it includes such a noble and auspicious event as the 50th-Year celebration. Our overarching goal for that event is for Æthelmearc to be seen among the Kingdoms of the Known World as a place of martial prowess and artistic pride. We want our Kingdom’s unique history and customs to be seen by all the peoples of the Known World. We also want our commitment to service to shine throughout the event, so we are sponsoring tournaments in heavy armored combat, fencing, thrown weapons, archery, equestrian, bardic, and period games. Every day of the weeklong celebration, there will be Æthelmearc events to participate in or volunteer to support.
How are negotiations for this Pennsic shaping up? Anything you’d like to share with the populace in the way of new activities or War Points?
There is a lot of pressure on Pennsic monarchs, because we want to ensure that everyone at the event, be they citizens of Æthelmearc or of a visiting Kingdom, has a fun and exciting time. We began negotiations with the Princes and Princesses of the East, the Middle, Atlantia, and Ealdormere back in November, and they are continuing now. A few areas of personal interest to Us are the new Thrown Weapons populace War Point, and the relatively-new A&S War Point, which will include Laurels this year.
For the first time ever, Æthelmearc will have the honor of sponsoring the Queen’s Tea. We want our first entry into this rotation to be fondly remembered for years to come. We hope that members of the populace who enjoy medieval gardening will contribute to the Garden theme in Æthelmearc Royal encampment. There is a Facebook page for those who wish to offer their time and effort. Throughout our reign, you may see red teapots at Troll at various events. This is a donation basket to support the Queen’s Tea, which will not be funded from Kingdom monies since it is an event for Royalty only. We hope that the food and drink served will represent many different regions and talents within Æthelmearc.
What would you most like from your populace in the way of help during your reign?
We want the populace of Æthelmearc to continue in whatever they love about the Society, and whatever inspires them in medieval recreation. For those in the arts and sciences, if that interest includes items that could be used for a gift basket to visiting Royalty, or could be used to make Queen’s favors, or medallions for Court, we would be most grateful. Anyone who is oriented toward service for the Society might contact our Head Retainers or Guard Captain to volunteer time (and get to know us better). Those gentles who are inclined to martial endeavors should find a time to marshal a tournament or battle, especially at inter-kingdom events like Pennsic or the 50-Year Celebration.
We would also make one specific request of all our populace: if there is someone who is in their first year in the Society, we want to meet them personally and welcome them to our hobby. Please point them out to us so that they can say that they have met the King and Queen of Æthelmearc.
Their Highnesses at Gulf Wars Opening Ceremonies. Photo by Lord Ursus.