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This is another installment of the Gazette’s Officer Interviews. This installment introduces the current Kingdom Equestrian Officer, THL Aaliz de Gant who answered the following questions regarding her involvement in the SCA, the equestrian program and her thoughts on equestrian activities in the Kingdom.
How long have you been in the SCA and what was your first event?
My first event was Pennsic 29. I started getting more involved in a local group after Pennsic 30 though.
What has made you stay?
The people – I have friends that became family. I can’t imagine life without them.
How did you become interested in equestrian activities and become the Equestrian Officer?
I’d been part of a couple households that were pretty much fighting households. When they fell apart as households sometimes do, I found myself at loose ends right around the time a demo came up for equestrian activities. I authorized at that event and was thrilled to be able to combine my SCA life and my horses. It is not every day I can manage to combine my expensive and all consuming hobbies.
What is the role of the Kingdom Officer for Equestrian?
Bringing policy from the Society Equestrian Officer to the Kingdom, setting and ensuring rules and policies are being followed within the kingdom, encouraging involvement, refereeing squabbles should they arise, warranting marshals, conducting marshal training, and generally being involved and attending events.
Do you have a general philosophy about your job?
I think that I should be able to prepare people to get involved in equestrian events if they express interest. I think the people within the program should “own” their program.
How would someone get involved in equestrian activities?
Talk to me or to any of the equestrians and we would be more than happy to discuss how to get you involved. If you don’t have a horse and simply want to be around them, we always need ground crew at events. If you have horses, we’d love to have you involved. If you want to start something in your area, talk to us and we’ll try to see what we can do.
This is harder — I’ve had horses my whole life so I’m never quite sure what people do and don’t know. But I think one of the hardest things to understand about equestrian is that there are two of us that have to work together – the rider and the horse. If either of us is having a bad day, it’s going to be a lot more obvious than in other disciplines. The best rider in the field isn’t always the one that will come out on top because horses have a mind of their own. You can practice hard, then have your horse decide on that day that it’s afraid of equipment that he/she has seen a thousand times. But the more practiced a horse/rider combo are the more they understand each other and the less you’ll see cues going on, in general. When both horse and rider work together it makes it look like what they are doing is effortless.
Where do you see the Equestrian program going in the SCA or the kingdom – Are there any changes coming?
Society wise, there is a lot of encouragement and interest for more jousting. We have a couple of people in Æthelmearc who are very interested in jousting and they are working towards getting more of it in our Kingdom.
What is the best part about equestrian activities in the SCA?
A sword in one hand and reins in the other and people that think it’s just as incredible as you do.
Documented from the Scrolls of the Reign of Marcus & Margerite, King and Queen of Æthelmearc, accompanied by Their Heir, Prince Timothy: the Business of The Feast of the Seven Deadly Sins, February 11, Anno Societatis LI, in the Barony of Delftwood. As recorded by Maestro Orlando di Bene del Vinta, Jewel of Æthelmearc Herald.
In the morning their Majesties invited their Excellency’s Delftwood to join Them in Their court.
Baroness Helena Mutzhasen was called before Their Majesties, who spoke at length of Her Excellency’s artistry in millinery and clothing of Germany, and so the Order of the Fleur d’Æthelmearc was summoned and Her Excellency was named a companion of that order. Scroll by Baroness Ekaterina Volkova. Embroidered scroll by Meisterrin Felicity Fluβmüllnerin, Lady Margaret Grace, Countess Caryl Olesdatter, Herrin Saskia Feldmeyrin, and Fela Fluβmüllnerin with words by Freiherr Fridrich Fluβmüllnerin and Meisterrin Felicity Flu βmüllnerin.
Next, Master Diego Munoz de Castilla and Don Corwin Montgomery approached the Throne and presented Her Majesty with a pictorial representation of the lineage of the White Scarf starting with Tivar Moondragon. They showed Her Majesty the branch of the tree representing those subjects from the kingdom of Æthelmearc. However, Their Majesty’s Jewel Herald spoke and noted that the representation was heraldically incorrect as he is a member of that line and there is heraldry displayed of one who is not a white scarf of that line. To settle this matter, Her Majesty called for the Order of the White Scarf to confirm, and invited the Ladies of the Rose and Garnet to also attend. The Order did affirm that there was indeed heraldry displayed of one who is not a member of the Order, and so Lord Michael Gladwyne was called forward and inducted into the Order of the White Scarf in recognition of his prowess and his contributions to the rapier community of Æthelmearc. And thus, the error was made correct. Scroll by Baroness Helena Mutzhasen.
THL Ruslan Voronov was called to attend Their Majesties, and then the Order of Chivalry was summoned forward. Their Majesties inquired whether his lordship was prepared to sit this day in vigil in contemplation of joining the Order of Chivalry, to which he responded that he was. However, there was one last piece of business to attend to and so Sir Óláfr þorvarðarson came forward and took back his squire’s belt from Ruslan and released him from his service so that he might sit vigil unencumbered. That business being concluded, Their Majesties released THL Ruslan into the care of the Order of Chivalry to escort him to vigil.
In the evening their Majesties invited Their Excellency’s Delftwood to join Them in Their court.
Their Majesties called forward all children and then sent them off in pursuit of the toy chest of treasures so that they might be occupied during the remainder of court.
Their Majesties then gave leave to Their Excellency’s Delftwood to hold their baronial court.
Earl Yngvar the Dismal, Countess Caryl Olesdatter, Master John Michael Thorpe, THL Fionnghuala inghean Diarmada, and Baroness Beatrix Krieger were invited into court. Her Majesty spoke of a recent trip to the East Kingdom in which several challenges befell Her visit, and these gentles came forward and provided various forms of assistance to Her. So for these acts of kindness, Her Majesty presented each with a personal token of appreciation.
Katharina von Bamberg was awarded arms in absentia. Scroll by Mistress Graidhne ni Ruaidh.
Snorri sketi Bjornnson was awarded arms in absentia. Scroll by His Excellency Master Caleb Reynolds.
Lady Adelheid Grünewalderin was awarded a Keystone in absentia. Scroll by Baroness Helena Mutzhasen.
Lady Ragna Feilan was called forward and inducted into the Order of the Sycamore for her cooking and Viking food research, and for winning the Iron Chef competition. Scroll by His Excellency Master Caleb Reynolds.
Next, Ráðúlfr Eiríksson was invited into court and inducted into the Order of the Golden Alce and awarded arms for his prowess upon the field. Scroll by Baroness Barbary Rose of Endless Hills with words by Don Po Silvertop the Rogue.
Their Majesties then called for Ulfr Thorbjarnarson and inducted him into the Order of the Golden Alce and awarded him arms for his prowess, honor, and cunning upon the field. Scroll by THL Padraig O’Branduibh.
Her Majesty then called for Sir Óláfr þorvarðarson and spoke of his generosity, and specifically spoke of the children’s treasure chest he constructed when the call for help went out. And so, She named Sir Óláfr Her inspiration and awarded him a Golden Escarbuncle.
THL Ruslan Voronov was next called before the Throne. Their Majesties asked if, after having received council today, he would join the Order of Chivalry, and Ruslan answered in the affirmative. Their Majesties then called for Their Order of Chivalry to join Them. Duke James Ahearn then arose as a royal peer and spoke of Ruslan’s willingness to give of himself to others. He stated that to be a noble one must act nobly, and that Ruslan has done that. By letter, Duchess Dorinda Courtenay spoke for the Order of Defence and told of how Ruslan’s booming voice can be heard above the din and how he uses that voice to teach, to serve, and to grow others. Countess Isabeau de l’Isle spoke for the Order of the Laurel of how excellence takes you beyond simple curiosity, but to passion; and that passion leads to practice, and that practice leads to growth. Countess Caryl Olesdatter spoke for the Order of the Pelican of Ruslan’s current service as champion of the Roses and how he is a beacon for others to follow. For the Order of Chivalry, Count Robin Wallace told of Ruslan’s humility, his striving, his leading and teaching of the art of combat. Sir Óláfr þorvarðarson also spoke of Ruslan’s ability to speak truth from the heart because he has gone through dark times and walked the gauntlet himself. Having heard these words of Their peers, Their Majesties were then moved to induct Ruslan into the Order of Chivalry and had him adorned with spurs, a belt of white belonging to Duke Morgunn Sheridan, a cloak, and a chain. His Majesty then knighted Ruslan, and Their Majesties received his oath. Scroll forthcoming.
Lastly, Their Majesties thanked all those scribes and artisans who had contributed works throughout Their reign so that the work and skill of others might be recognized, and Her Majesty offered tokens of appreciation and offered scribal supplies.
There being no further business, this court of Their Majesties was closed.
Maestro Orlando di Bene del Vinta
Jewel of Æthelmearc Herald
The Dream Atlas is a map of the Known World inspired by the 14th century Catalan Atlas and created as a fundraiser for Their Highnesses to use toward travel expenses and Eastern Hospitality for foreign royalty. This Atlas is now available for purchase. The map shows all twenty of the current kingdoms, as well as many baronies, shires and sites of large annual events.
In addition to providing geographical reference, there are annotations about each kingdom designed to help travelers better understand various regions. These notes come from conversations with the people who dwell in each land and provide only a small taste of much larger cultures.
Researched and drawn by Lady Christiana Crane, The Dream Atlas is designed to be an opportunity for people to learn about their neighbors, regardless of kingdom. It makes an attractive piece of art for the home or office, however adventurous pilgrims may instead choose to fold their map and use it to record their own travels, turning the Atlas into a living journal.
Maps are 24”x36” black and white prints and are $35 including shipping. These can be ordered through the website until April 3, 2017.
There is also an extremely small number of limited-edition, full color hand painted originals of the map done on acid free paper available for $1000 each. Details regarding availability and delivery time are available by contacting TheDreamAtlas (at) crossroadgames (dot) com.
To learn more about The Dream Atlas, or to order yours, go to theknownworlddreamatlas.blogspot.com
Filed under: Announcements Tagged: for sale, fundraiser, Fundraising, Ioannes and Honig, Travel Fund
The class scheduler, Mistress Barbeta Kyrkeland, is still looking for teachers to teach classes in the following categories:
If you are available to teach at thsi event, please contact Mistress Barbeta firstname.lastname@example.org.
Filed under: Events Tagged: Bergental, classes, novice, novice classes, novice schola, teachers
A great gift for a special someone who LOVES embroidery is surprise
PLEASE NOTE: Classes with limits are filling up quickly! So, too, are the bunk spaces in the HEATED cabin. To avoid disappointment, mail your special someone’s reservation TODAY!
(See last year’s Gazette article here.)
On May 6th, the Shire of Nithgaard will host the second Æthelmearc Arts & Sciences Faire. This will be a day to celebrate the artisans our Sylvan Kingdom. We will have room for all who choose to do so to display their works.
It is our hope that the Queen’s Prize Tourney will give these artisans the opportunity to both learn and teach, and will give the Kingdom an opportunity to see their work. Each entrant is required to be sponsored by a member of the Laurel or the Fleur. Each entrant is required to be present at the event. Each sponsor is asked to provide a small thank you gift to each of the entrants he or she sponsors.
We hope to see many of you at the A&S Faire!
Greetings unto all those intending to enter Spring Crown Tournament,
Please be aware that both the combatant and the consort must submit a letter of intent, either through the following link (preferred) or by email to Their Royal Highnesses Prince Ioannes and Princess Honig with a copy to the Kingdom Seneschal. Joint submissions are preferred if you are using the following link, or if you are using email.
The Letter of Intent must be received by Coronation, April 1, 2017.
If using email, the letters of intent must include all of the following information for both combatant and consort: Society name, legal name, address, telephone number, years of residency and be accompanied by proof of membership with membership number & expiration date that is valid at least thirty days after Crown. If both entrants are combatants, then that should be clearly indicated.
Their Highnesses would remind all entrants that should they win, they will be named Prince and Princess of Tir Mara for their time as Crown Prince and Princess of the East, representing the noble people of Our fair Crown Principality. Please bear these responsibilities in mind should you choose to enter the Crown Lists this Fall. Their Royal Highnesses also request that combatants bring heraldic shields for the list trees.
In Service to the East, I remain
Dueña Mercedes Vera de Calafia
Filed under: Heavy List, Official Notices Tagged: Crown Tourney, Letter of Intent
Mistress Ysabeau Tiercelin receives what may be the oldest backlog scroll in the Known World.
Do you remember the first time you were called up in Royal Court? For most gentles, an Award of Arms is the first Kingdom award they receive. To this day, many of my friends remember exactly when and where they received their AoA, even when the timing of other awards has melded together.
It was just over a year since I had become active in the SCA, and I remember the outfit I was wearing (a brown velvet sideless surcoat embellished with rhinestones and rabbit fur that went into the Garb Closet of Shame many years ago, but that certainly lent the occasion a lot of, um…..dazzle). I remember being petrified that I was going to trip and fall onto the kneeling pillow (and yes, ok, that part has not changed). I remember the kind smiles of King Knarlic and Queen Alexis of Atlantia putting me at ease as I received my AoA and became Lady Tercelin.
The scribal arts were not what they are today, and although I was slightly disappointed at receiving a photocopied promissory scroll, nothing could take away the thrill of receiving my first SCA award. After all, I knew the actual scroll would be on my wall eventually.
Eventually arrived this Friday, when I opened a rather large envelope to find my backlog AoA scroll….from A.S. XIX. Yes, that would be Anno Societatis Nineteen (for those trying to quickly do the math, that would be 33 years ago).
It was definitely the oldest completed backlog in the Kingdom of Atlantia, and may well be the oldest in the Known World.
Done by Lord Adelric Falke from the Canton of Attillium in Atlantia, it will take center place on my scroll wall. Most definitely, good things come to those who wait.
Baroness Ysabeau Tiercelin, OP, OL
If you would like to make a backlog scroll recipient in Æthelmearc very happy, get in touch with our backlog deputy Signet, Pani Zofia Kowalewska for an assignment.
There is a family cap of $50.00, with a member discount of $10.00
Reservations can be mailed to Martha Powers, 15 Grover Street #1, Auburn, NY 13021. Please make check/money order out to SCA NY, Inc. – Shire of Angels Keep.
Maighstir Liam macan tSaoire reports that Baroness Beatrix Krieger received a Writ of Summons to the Order of Chivalry at AEdult Swim today. Her Vigil and Elevation will be held at Pennsic.
Vivat Baroness Beatrix!
Submitted to the East Kingdom Gazette by Eloise, Baroness Beyond the Mountain
Ah, February. It feels like winter has stretched on forever, and like spring will never come. Some parts of the Kingdom are grey and cloudy, and others are wondering where to put the snow. It is enough to crush the spirit. What is one to do, to revitalize the soul and sustain us until the return of warmth?
The wise suggest exercising one’s artistic skills, which warms the fingers through activity and nurtures the mind through use. And what better application of winter survival skills than entries for Artifacts of a Life?
Artifacts of a Life III will be held in the Barony Beyond the Mountain (New Britain, CT) on September 30. Artifacts is a different sort of arts competition: entries must be “themed” – the theme is things that would have been used/owned by a single individual sometime in period. Possibly they are the items that would have been left in a will, or even just the day to day paraphernalia of life. They do *not* have to be items owned by *your* persona, but they do have to be linked to one person in one time/place.
There are currently anticipated to be three categories: Typical, Elite, and Village. The Typical category must include three to five items from a single culture and time. The Elite category will include six to nine items from a single culture and time. And for the communally ambitious, the Village category will allow you to work with others in a team to collaboratively create six to nine items. To flog the horse, all of the items in an entry must be placed within a uniform time and culture.
February is grey and quiet. Isn’t now a perfect time to work on your entries? You know that the closer we get to Pennsic, the more you will think about those deferred projects. The ones you were going to work on over the winter. You know as well as we do that you’re not going to do those jobs until July. It’s tradition – why fight tradition? Instead, take these snowy days, and immerse yourself in the artifacts of a life in period. Now is the perfect time.
And prizes! Did we mention the lovely prizes? As at the first two events, we will be bestowing hand-made wooden chests stuffed with materials to make the fingers of even hardened artisans twitch with avarice.
The event announcement is here: http://www.eastkingdom.org/EventDetails.php?eid=3108. The event website, with information about the rules, and pre-registration is here: http://sca-artifactschallenge.blogspot.com/. Please watch both spaces for updated information, as details about the event itself are always changing.
PLEASE NOTE: Entry in the competition REQUIRES pre-registration with Mistress Elizabeth Vynehorn. If you have not specifically notified her of your intention to compete, we will not be able to accept your entry. This is for the benefit of the contestants. Knowing at least roughly what you plan to enter allows us to recruit the best possible judges to give you the best possible feedback. Without pre-registration we will not have sufficient/appropriate judges. Speaking of judges…
If you are available and interested in judging for Artifacts, please let us know. Recruiting judges is by far the most difficult aspect of the event, and if you can assist we would be most grateful. Contact Mistress Elizabeth via the website or event announcement, and we will contact you if your expertise matches our needs.
Come to Artifacts! We would love to see you.
Filed under: Arts and Sciences, Events
By Lady Astridr Vigaskegg.
Several months ago, I finally put scissors to fabric and began putting together an early 16th century German dress. I’d been researching for some time, but it took a lot of mental preparation to work myself up to the idea of constructing a late-period garment on my own. For this dress, I drew inspiration primarily from two Hans Holbein sketches of a Basel woman from 1523.
I began with my own measurements and looking at patterns from both Katafalk and Reconstructing History, but found that neither really worked for my body. So I ended up fitting myself and making my own, which was a long and infuriating process — next time I’m having a friend help me fit a new pattern.
When I finished my bodice pattern (which was slightly modified after these photos), I cut an interlining of heavy linen and the wool shell, then attached them mostly following Katafalk’s tutorial. I cut the guards out of black wool and attached them after the bodice was all put together, then moved onto the skirt.
Using Mistress Genoveva’s Rolled Pleat Calculator, I came up with the length needed for my skirt, which I think was about 6 yards. I had a whole bolt of red wool from JoAnn Fabrics, and I only used a half-width of the fabric for the top portion of the skirt. I spent several hours with a ruler and chalk, and by the end of it I had my skirt pleated.
I ended up piecing the bottom stripes together in three panels of stripes, then sewed them together and attached them. Next time, I’ll likely attach the stripes before I pleat the skirt, but it didn’t create any major inconveniences doing it the other way.
It was after I completed the skirt that I started running out of time leading up to Fall Coronation of Marcus and Margerite, so I decided to put my plans for the sleeves on the back burner — it would be easy enough to take the middle-class route and simply sew the exaggerated stitching at the joints over the chemise. The proper chemise also wasn’t going to happen in time, so I pulled a cheater shirt out for the event.
The last piece of the outfit that I could accomplish in time was the hemd and steuchlein, which I made following Katafalk’s tutorials. The hemd was even more difficult to fit by myself than the bodice pattern was, and I was extremely glad to cover it and all the mistakes I made on it with the steuchlein.
There weren’t a great deal of photos of the good-enough dress I took to the event, but I was pretty pleased with it. I’m currently working on the more-correct sleeves, a pleated chemise, and fixing some general mistakes on the dress. Ideally, there will also be a structured linen kirtle to go under this dress and over the chemise.
See Astridr’s blog here for more of her sewing and culinary adventures.
The Gazette asked each of the final four performers to share their piece with us. The four performers received the task of composing a piece with a specific theme, each one receiving one of the four seasons.
Winter – Countess Chatricam Meghanta or “Megha”
The piece as performed is based on Purananuru poem # 69, as translated by A.K. Ramanujan. The original poet was Alattur Kilar who was writing about the Tamil King Killivalavan.I modified it to fit the theme I was required to write to, “Winter” (I interpreted that to mean the rainy season in India), where I was, Concordia, and which king I was performing for. ~Megha
My singer friends, here you are, lute in your hand, a hunger in your belly that no one heeds, clutching at your waist, a cloth of patches with strange threads, cold, wet, on a body as aimless as a ruined man’s and your family dulled by poverty.
You round the whole earth and you are here to ask in a small voice for help. So listen.
In Summer Time His army slaughters the murderous elephants of enemy kings, leaves the wounded in pools of blood, makes a slaughterhouse of the battlefield.
Now, in the rainy season, he is in Concordia. He is Brion, King of the East. He wears perfect garlands, his ornaments are flames of gold. you can warm your hands by.
Go to him. You will not ever need to stand in the cold outside his great door. Go fill your eyes with the gold, the rice, the sweet liquor he gives away to singers.
Once he knows you want in winter you will not need to stand with your lute in your hand wet and empty.
Once you have seen him you will wear lotuses of gold, flowers no bee will touch.
He is warmth. He is hospitality. He is the light.
Spring – Maitresse Sabine de Kerbriant I was given 30 minutes to prepare a contrafact (new lyrics set to an existing melody) on the theme of spring. For the tune, I chose “Douce dame jolie,” written ca. 1350 by Guillaume de Machaut. The original song is a virelai with a repeated refrain, with that structure partially mimicked here.
That fair and tender season
So joyful we will be
Think kindly of me is my plea
So joyful we will be
That fair and tender season
The blazing sun beats down upon
I gasp for breath, what do I find?
At last the marshals call a hold
Autumn – Maestro Orlando di Sforza
Autumn Sonnet dedicated to Her Most Royal Majesty, Queen Anna
Wilted willows sway, shamed to raise their eyes.
The quiver of ochre and scarlet leaves,
Alone and defiant she stands, complete.
Let us shine like her, brazen in bold show,
Filed under: Bardic Tagged: Bardic, champions, King and Queen's Champions
In my 20+ years of experience, many of the archery ranges I’ve been on have had a wand shoot. The wand shoot is a very simple shoot; basically it is just sticking a quarterstaff in the ground and shooting at it till someone knocks it over. As simple as is sounds, it is one of the most fun and popular shoots around. This article will explain how to implement a wand shoot in order to add that special magic to any boring old range.
Today, to make the wand shoot easier and safer, the marshal takes some duct tape and puts it on a piece of cardboard. I prefer woodgrain duct tape; it serves very well. If a marshal has a less experienced group of archers, he’ll put additional strips of duct tape on each side and score the near misses.
Next, I made a flat target with three different wands. You’ll note that the first wand on the left is thicker and taller than the wand in the middle. The wand on the far right, you’ll note, is at the very top of the grass so it looks like it’s way off in the distance. Even though this target is placed at 20 yards, it provides an optical illusion that the wands are further down range. You will also note that I put a black dot on the biggest wind. This is meant to be a nest for an animal, and also makes a perfect bull’s eye for a tiebreaker.
Lastly, I took a pool noodle and put some bends in it so it looks like a tree branch (remember, nothing in nature is perfectly straight or perfectly round). I added a little vine work from the $1 store and it looks like an average, everyday tree branch, once again using the wood grain duct tape.
Now you know how to make the magic yourself, but if you’d rather come experience the magic without having to build the wand yourself, then I want you to know that I’ll be running the novelty range at the Archery Muster being held at the castle of Their Excellencies, Earl Byron and Countess Ariella, on April 9. Can’t make that one? A shame, but you’ll have one more chance. For the first time, I will be marshaling archery at Blackstone Raid at the end of April. And you won’t want to miss that shoot because the first prize at Blackstone will be a complete beginner’s set up bow, arrows, quiver, arm guard, and glove.
This month’s safety tip is a repeat: these will be novelty ranges, you’ll be shooting at things you’ve never seen before, so be aware of all safety precautions and don’t be afraid to ask questions of the marshals.
‘Til next month,
THL Deryk Archer
In this week's news roundup of all things medieval, you can read about creating the face of St.Magnus, good reads about the Vikings, and someone having fun on Twitter.
[View the story "Magnus, Chaucer and Donaeld the Unready" on Storify]
Our image of the week - “Manuscript Leaf from a Missal” by Austrian via The Metropolitan Museum of Art is licensed under CC0 1.0
All photos courtesy of Lady Elektra of Sylvan Glen.
Documented from the Scrolls of the Reign of Marcus & Margerite, King and Queen of Æthelmearc: the Business of Her Majesty at Sylvan Glen Twelfth Night, February 4th, Anno Societatis LI, in the Shire of Sylvan Glen. As recorded by Maestro Orlando di Bene del Vinta, Jewel of Æthelmearc Herald.
Her Majesty invited the youth known as Thomas Bronhulle, the event’s King of Misrule, to join Her in Her court.
Her Majesty called for Tiberius of Sylvan Glen, the day’s co-autocrat, who made several announcements, offered thanks for those in attendance and for those who provided support and service, and also announced the winners from the day’s varied competitions. However, at the conclusion of his announcement, Her Royal Majesty bade Tiberius linger a moment longer. She spoke of his leadership and service to his shire and offered Her praise for his excellent efforts as first time co-autocrat alongside his mother, Lady Reina Dulcedame. Thus, She did Award him Arms and raise him to the ranks of the nobility. Scroll forthcoming.
Next, Her Majesty called for Niño of Sylvan Glen and thanked him for all of his helpfulness and service, despite his young age and small size, and She did bestow upon him a Silver Buccle. Scroll forthcoming.
Lord Daniel Rufus was next called before the Sylvan Throne, and his wife Lady Eleanor of Pembroke came forward in his stead. Her Majesty spoke of the courtesy, kindness, and chivalry displayed by Lord Rufus, and that these are values that are highly prized by the Society, and thus She did bestow upon him a Cornelian. Scroll forthcoming.
Her Majesty then sought words with Lady Umm Samin bint Asad al-Isfahaniyya. Her Majesty stated that She had heard much praise of Lady Samin’s work. Her Majesty spoke of Lady Samin’s work as the webminister for Sylvan Glen, and Herself found the webpage to be well maintained and attractive. Her Majesty then inducted Lady Samin into the Order of the Keystone for this service. Scroll forthcoming.
However, Her Majesty stated that Her business was not yet complete with Lady Samin, and reiterated that She had indeed received many words of praise of Lady Samin. Her Majesty told of the reports of Samin’s artistry, and that Her Majesty had witnessed Samin’s skill this very day when viewing the A&S display where several works of art with accompanying documentation by Lady Samin could be viewed. Thus, Her Majesty was moved to induct Lady Samin into the Order of Sycamore. Scroll forthcoming.
THLady Etain Eame was next called to attend Her Majesty. Her Ladyship’s years of quite service to her shire and to the kingdom as autocrat, head cook, seneschal, head tollner, kingdom NMS secretary, and more were noted. Seeing these years of service could not go unrecognized, Her Majesty called forth the Order of the Millrind, and inducted THLady Etain into that Order. Scroll forthcoming.
Next, Her Majesty invited forward all children. She noted to the King of Misrule that earlier in the day he used Her herald for his court, and so in return, She asked His Majesty Misrule to carry the chest of toys for Her so that the children might select a gift.
Her Majesty then called forward Lord Arthur of Linden from the Kingdom of Atlantia. She spoke of his A&S entry and how impressive was his detail and skill, and so named him Her Inspiration and bestowed upon him a Golden Escarbuncle.
There being no further business, this court of Her Majesty was closed.
Maestro Orlando di Bene del Vinta
Eager to participate in the Barony of Concordia’s traditional mid-February blizzard, 26 artisans descended on Scotia, New York to show off their diverse talents at King’s and Queen’s Arts and Sciences Championship.
The competition consisted of two phases. In the first phase, 7 teams of 3 judges each spent up to 45 minutes discussing an artisan’s project with them, and then retired to render scores via rubrics and to fill out feedback forms so that artisans could walk away with advice. After the first judging phase, the top 5 (well, in this case, 6!) would go on to an interview phase with Their Majesties, Their Highnesses, and the judges. The Queen’s Champion was the winner, and the King chose his Champion from among the field.
The entrants were:
Lord Agapios Cargos
We had quite the slew of judges as well:
Mistress Ose Silverhair
The room was packed full of incredibly diverse art, ranging from focused research on historic combat techniques to an actual working boat. Artisans spent the day talking to judges, to other artisans, and to enthralled members of the populace seeking to enhance their knowledge of period practices.
A full gallery of all entrants and their exhibits can be found here, courtesy of Baroness Cateline la Broderesse.
There was also a Youth Arts and Sciences display! Several young artisans of the kingdom put their work on display, and received an extraordinary response from the populace. So great was the volume of attention that the judging teams assigned to talk to them could not physically get to the table to talk to them – there were so many people clamoring around already!
As the dust settled, 6 artisans emerged as the finalists. They were:
Magister Galefridus Peregrinus
The room was cleared, and the six artisans waited by their projects. Their Majesties and Their Highnesses, accompanied by their Champions and a handful of retainers, sat with each artisan. They spoke about their project and enlightened their audience, and then spoke with passion and inspiration about what they would bring to the position of Champion.
After consultation, Their Majesties chose Lady Sofya Gianetta di Trieste as Queen’s Champion of Arts and Sciences and Lady Raziya bint Rusa as the King’s Champion of Arts and Sciences. There was much rejoicing!
Master Magnus and Mistress Elysabeth would like to thank all the entrants for showcasing their amazing talents, and all the judges for their tremendous service.
Photos courtesy of Caitline La Broderesse
Filed under: Arts and Sciences Tagged: a&s, champions, King and Queen's Champions, Kings and Queens Champions
On a day befitting the name of our hosts, Concordia of the Snows, thirteen exceptional performers assembled to vie for the positions of King’s and Queen’s Bards. The competition consisted of three rounds, with each performer given a total of 15 minutes to use over all three rounds (with extra time available for the finals at their Majesties’ discretion).
The competitors were:
Countess Chatricam Meghanta or “Megha” (aka Marguerite inghean Lochlainn)
Mistress Elizabeth Elenore Lovell
Mistress Judith Fitzhenry, called the Uncertain
Lady Lilie Dubh inghean ui Mordha
Lady Lillie von der Tann
Lady Lorita da Siena
Maestro Orlando di Sforza
Lord Robert of Anglespur
Maitresse Sabine de Kerbriant
Lord Sean O’Morain
Lady Solveig Bjarnadottir
Jarl Valgard Stonecleaver
Mistress Ysemay Sterling
In addition to Their Majesties Brion and Anna, the judges for the competition were Mistress Alys Mackyntoich (Queen’s Bard), Lady AEthelflied Brewbane (King’s Bard), Master Grim the Skald and Master Michael of York.
The first round performances ranged from period documented pieces to SCA folk songs, poetry and prose, and even instrumental music combined with vocal song. The competitors did not make the task of deciding who should advance to the second round easy on the judges. After much debate, eight performers were asked to return to offer a second piece. They were: Countess Megha, Lady Lillie, Lady Lorita, Maestro Orlando, Lord Robert, Maitresse Sabine, Lady Solveig and Mistress Ysemay.
Once again, the performances were stellar, and selecting four to advance to the finals was not easy. Ultimately, Countess Megha, Maestro Orlando, Maitresse Sabine and Lady Lillie were asked to offer a third performance.
As is traditional, each finalist was given a challenge based on the performance resumes they had turned in at the beginning of the contest. Countess Megha was asked to prepare an inspirational speech on the subject of Winter. Maestro Orlando was asked to offer an Elizabethan monologue on the subject of Autumn. Maitresse Sabine was asked for a contrefacte (new lyrics added to existing music) on the Spring. Lady Lillie was asked for a song on Summer. They were given 30 minutes to prepare.
All four finalists rose to the challenges before them with passion, vigor and excellence. Maestro Orlando presented an original Shakespearean sonnet that he had written in 30 minutes. Countess Megha used her 30 minutes to adapt an existing period Indian poem about the rainy season and the generosity of Kings. Maitresse Sabine wrote and sang new words to go to the period tune E, Dame Jolie by Guillaume de Machaut. Lady Lillie presented an original song she had composed about the battle with the heat at this past Pennsic War.
Baroness Arlyana Van Wyck took videos of the final performances, which can be found at the public links below:
At the end of the day, Queen Anna chose Maitresse Sabine as Queen’s Bard and King Brion chose Countess Megha as the King’s Bard, with much acclaim all around.
Maestro Orlando was inducted into the Order of the Troubadour based in large part on his performances during the competition.
Mistress Alys and Lady AEthelflied thank all the competitors for their hard work, passion and willingness to perform, as well as the people of Concordia of the Snows for putting on a splendid event.
Article written by Mistress Alys, photos by Cateline La Broderesse.
Filed under: Events Tagged: Bardic, bardic champions, champions
REMINDER: 1st Quarter Marshal Reports are due Wednesday, 15 February 2017
If you are a Standard Marshal, Group Marshal, or Knight Marshal then your reports are due by Wednesday, February 15th. To fill out your report you may use the on-line form found here. If you are a regional Marshal your report is not due until March 1st. If you are a Kingdom Marshal or Kingdom Deputy your report is not due until March 10th.
All Archery, Siege, and Thrown Weapons marshals are required to report every quarter including at large marshals.
Note: At-large heavy fighting and equestrian marshals are welcome to report if they wish or if they have something they feel should be reported, but they are not required to report this quarter. They are only required to report for the 4th quarter. At-large fencing marshals are required to report twice a year, 2nd and 4th quarters.
Any marshals with questions on reporting can contact their Kingdom superiors, listed below, using the email links on the Æthelmearc Earl Marshal page.
From the Aethelmarc Gazette
“Prince Timothy recently shared the tentative schedule of rapier and cut & thrust classes planned for Ædult Swim 2017 on the AEthelmearc Rapier Army Facebook page. The free event will be February 18 and 19 at Milton Shoe Factory 700 Hepburn St. Milton, PA 17847” ….. to read more click HERE
Filed under: Announcements, Events, Rapier